02936nam 2200733 a 450 991082093530332120200520144314.00-19-988204-50-19-027399-20-19-972238-21-282-05349-397866120534982027/heb31467(CKB)2560000000296443(EBL)430640(OCoLC)373185470(SSID)ssj0000132684(PQKBManifestationID)11136167(PQKBTitleCode)TC0000132684(PQKBWorkID)10039127(PQKB)10242247(StDuBDS)EDZ0000023700(MiAaPQ)EBC430640(Au-PeEL)EBL430640(CaPaEBR)ebr10288320(CaONFJC)MIL205349(MiAaPQ)EBC7035790(Au-PeEL)EBL7035790(dli)HEB31467(MiU)MIU01000000000000012918304(OCoLC)86090542(FINmELB)ELB166956(EXLCZ)99256000000029644320070319d2009 uy 0engur|n|---|||||txtccrThe critical nexus tone-system, mode, and notation in early medieval music /Charles M. Atkinson1st ed.Oxford ;New York Oxford University Press20091 online resource (321 p.)AMS studies in musicDescription based upon print version of record.0-19-514888-6 0-19-985218-9 Includes bibliographical references (p. 259-291) and indexes.The heritage of antiquity -- The eighth and ninth centuries. The reception of ancient texts in the Carolingian era ; The heritage of the church -- The synthesis of ancient Greek theory and medieval practice. Hucbald of St. Amand and Regino of Prum ; Alia musica ; Pseudo-Bernelinus, Bern of Reichenau, pseudo-Odo, and Guido d'Arezzo.Prologue 1. The Heritage of Antiquity Part I. The Eighth and Ninth Centuries 2. The Reception of Ancient Texts in the Carolingian Era 3. The Heritage of the Church Part II. The Synthesis of Ancient Greek Theory and Medieval Practice 4. Hucbald of St. Amand and Regino of Prum 5. Alia musica 6. Pseudo-Bernelinus, Pseudo-Odo, and Guido d'Arezzo Epilogue: Problems and Solutions Bibliography IndexAMS studies in music.Music theoryHistory500-1400Music theoryHistoryTo 500InfluenceMusic theoryHistoryMusic theoryHistoryInfluence.781.2/63Atkinson Charles M(Charles Mercer),1941-1696254MiAaPQMiAaPQMiAaPQBOOK9910820935303321The critical nexus4076090UNINA