03075nam 2200541 450 991046787450332120200923020339.03-11-053853-93-11-053895-410.1515/9783110538953(CKB)4340000000191246(MiAaPQ)EBC4915779(DE-B1597)479589(OCoLC)999360285(DE-B1597)9783110538953(Au-PeEL)EBL4915779(CaPaEBR)ebr11412757(OCoLC)994611266(EXLCZ)99434000000019124620170811h20172017 uy 0gerurcnu||||||||rdacontentrdamediardacarrierPolitischer Kosmopolitismus Praktikabilität, Verantwortung, Menschenrechte /Henning HahnBerlin, [Germany] ;Boston, [Massachusetts] :De Gruyter,2017.©20171 online resource (264 pages)Ideen & Argumente,1862-11473-11-053849-0 Includes bibliographical references and index.Frontmatter -- Vorwort -- Inhaltsverzeichnis -- Einleitung: Was wollen wir von einer Theorie globaler Gerechtigkeit? -- Teil 1. Praktikabilität -- Teil 2. Verantwortung -- Teil 3. Menschenrechte -- Literatur -- Sach- und PersonenindexWir brauchen eine gerechtere Globalisierung - diese Einsicht ist ebenso alternativlos, wie sie utopisch anmutet. Um dennoch die realistische Hoffnung auf eine kosmopolitische Weltordnung in Aussicht zu stellen, konstruiert die Schrift einen Menschenrechtsansatz globaler Gerechtigkeit. Teil I beschäftigt sich mit der Frage der Praktikabilität. Das Problem wird zunächst an Kants kosmopolitischen Schriften herausgearbeitet, um es dann methodisch anhand von Rawls' politischem Konstruktivismus und Honneths normativem Rekonstruktivismus zu lösen. Anschließend an Max Weber, Hans Jonas und Hannah Arendt wird dann in Teil II eine Theorie politischer Verantwortung entwickelt, die sich auf globale politische Verantwortungsverhältnisse übertragen lässt. Teil III legt schließlich einen Menschenrechtsansatz globaler Gerechtigkeit vor. Diese realistische Utopie ist pragmatisch darin begründet, dass das globale Menschenrechtsregime bereits politische Verantwortungsverhältnisse für die wichtigsten menschlichen Interessen etabliert hat. Aus der politischen Menschenrechtspraxis und ihrer Idee einer universellen Menschenwürde, so die Grundthese der Schrift, lässt sich eine globale politische Gerechtigkeitskonzeption rekonstruieren.Ideen & Argumente.Political sciencePhilosophyElectronic books.Political sciencePhilosophy.320.01CC 7800rvkHahn Henning1048193MiAaPQMiAaPQMiAaPQBOOK9910467874503321Politischer Kosmopolitismus2476315UNINA03669nam 2200541 450 991082050160332120200520144314.01-62674-071-2(CKB)3710000000341923(EBL)3039946(MiAaPQ)EBC3039946(OCoLC)883305195(MdBmJHUP)muse38138(Au-PeEL)EBL3039946(CaPaEBR)ebr11010061(CaONFJC)MIL697806(EXLCZ)99371000000034192320140702h20152015 uy| 0engurcnu||||||||rdacontentrdamediardacarrierSeth conversations /edited by Eric Hoffman and Dominick GraceJackson :University Press of Mississippi,[2015]©20151 online resource (251 p.)Conversations with comic artists seriesCollection of interviews originally published in various sources.Includes index.1-62846-130-6 ""Cover""; ""Contents""; ""Introduction""; ""Chronology""; ""Interview""; ""Michael Strafford / 1985""; ""An Interview with Seth""; ""Dylan Williams / 1995""; ""An Interview with Seth""; ""Bryan Miller / 2004""; ""Seth Interview""; ""Dave Sim / 2005""; ""Retro Man""; ""Gerald Hannon / 2006""; ""On Cartooning""; ""Rebecca Bengal / 2006""; ""Talking to Seth""; ""Thom Ernst / 2009""; ""Comics Reporter Sunday Interview: Seth""; ""Tom Spurgeon /2009""; ""Interview with Seth""; ""Eric Hoffman and Dominick Grace / 2013""; ""Index"";"Canadian cartoonist Gregory Gallant, (b. 1962), pen name Seth, emerged as a cartoonist in the fertile period of the 1980s, when the alternative comics market boomed. Though he was influenced by mainstream comics in his teen years and did his earliest comics work on Mister X, a mainstream-style melodrama, Seth remains one of the least mainstream-inflected figures of the alternative comics' movement. His primary influences are underground commix, newspaper strips, and classic cartooning. These interviews, including one career-spanning, definitive interview between the volume editors and the artist published here for the first time, delve into Seth's output from its earliest days to the present. Conversations offer insight into his influences, ideologies of comics and art, thematic preoccupations, and major works, from numerous perspectives--given Seth's complex and multifaceted artistic endeavours. Seth's first graphic novel, It's a Good Life, If You Don't Weaken, announced his fascination with the past and with earlier cartooning styles. Subsequent works expand on those preoccupation and themes. Clyde Fans, for example, balances present-day action against narratives set in the past. The visual style looks polished and contemplative, the narrative deliberately paced; plot seems less important than mood or characterization, as Seth deals with the inescapable grind of time and what it devours, themes which recur to varying degrees in George Sprott, Wimbledon Green, and The Great Northern Brotherhood of Canadian Cartoonists"--Provided by publisher.Conversations with comic artists.CartoonistsCanadaInterviewsCartoonists741.5/971LIT017000LCO006000BIO001000bisacshSeth1962-1370325Hoffman Eric1976-Grace Dominick1963-MiAaPQMiAaPQMiAaPQBOOK9910820501603321Seth3959046UNINA