01251nam0 22003131i 450 VAN003399320060515120000.027-11-12110-020050315d1992 |0itac50 bafreFR|||| |||||Traite de droit communautaire des affairesChristian Gavalda, Gilbert Parleanipreface du Doyen Riccardo Monaco2. edParisLitecc1992XV, 900 p.25 cm.Diritto commercialeEuropaVANC015231FIParisVANL000046346.40721GavaldaChristianVANV005627257637ParleaniGilbertVANV005628278250MonacoDoyen RiccardoVANV028614LitecVANV109263650ITSOL20230616RICAVAN0033993BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA00CONS VI.D.82 00 2045 20050315 BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA00CONS VI.D.82 bis 00 2310 20050315 Traite de droit communautaire des affaires1423305UNICAMPANIA03064nam 22006014a 450 991082030590332120240418001331.01-281-72159-X97866117215960-300-12819-310.12987/9780300128192(CKB)1000000000471793(StDuBDS)BDZ0022171423(SSID)ssj0000185349(PQKBManifestationID)11165986(PQKBTitleCode)TC0000185349(PQKBWorkID)10209685(PQKB)11679511(StDuBDS)EDZ0000165609(MiAaPQ)EBC3420173(DE-B1597)485251(OCoLC)1024005740(DE-B1597)9780300128192(Au-PeEL)EBL3420173(CaPaEBR)ebr10170864(CaONFJC)MIL172159(OCoLC)923591727(EXLCZ)99100000000047179320040116d2004 uy 0engur|||||||||||txtccrJazz in search of itself /Larry Kart1st ed.New Haven Yale University Pressc20041 online resource (1 online resource (x, 342 p.))Bibliographic Level Mode of Issuance: Monograph0-300-10420-0 Front matter --CONTENTS --PREFACE --INTRODUCTION --PART ONE. Notes and Memories of the New Music, 1969 --PART TWO. A Way of Living --PART THREE. The Generators --PART FOUR. Moderns and After --PART FIVE. Miles Davis --PART SIX. Tristano-ites --PART SEVEN. The Neo-Con Game --PART EIGHT. Singers and Songmakers --PART NINE. Alone TogetherIn this engaging and astute anthology of jazz criticism, Larry Kart casts a wide net. Discussing nearly seventy major jazz figures and many of the music's key stylistic developments, Kart sees jazz as a unique perpetual narrative-one in which musicians, their audiences, and the evolving music itself are intimately intertwined. Because jazz arose from the collision of specific peoples under particular conditions, says Kart, its development has been unusually immediate, visible, and intense. Kart has reacted to and judged the music in a similarly active, attentive, and personal manner. His involvement and attention to detail are visible in these pieces: essays that analyze the supposed return to tradition that the music of Wynton Marsalis has come to exemplify; searching accounts of the careers of Miles Davis, Thelonius Monk, Bill Evans, and Lennie Tristano; and writing that explores jazz's relationship to American popular song and examines the jazz musician's role as actual and would-be social rebel.JazzHistory and criticismJazzHistory and criticism.781.65/09Kart Larry1942-1600489MiAaPQMiAaPQMiAaPQBOOK9910820305903321Jazz in search of itself3923618UNINA