03297nam 2200625 a 450 991082023240332120200520144314.00-19-045021-51-281-34224-697866113422410-19-804411-9(CKB)1000000000412346(EBL)415296(OCoLC)476241538(SSID)ssj0000152630(PQKBManifestationID)11165063(PQKBTitleCode)TC0000152630(PQKBWorkID)10339467(PQKB)11623954(Au-PeEL)EBL415296(CaPaEBR)ebr10218540(CaONFJC)MIL134224(MiAaPQ)EBC415296(OCoLC) 163603750(FINmELB)ELB165096(EXLCZ)99100000000041234620070727d2008 uy 0engur|n|---|||||txtccrEyes upside down visionary filmmakers and the heritage of Emerson /P. Adams Sitney1st ed.Oxford ;New York Oxford University Press20081 online resource (432 p.)Description based upon print version of record.0-19-533115-X 0-19-533114-1 Includes bibliographical references and index."Chronology of films": p. 401-408.Contents; Introduction: Emersonian Poetics; 1 Marie Menken and the Somatic Camera; 2 Ian Hugo and Superimposition; 3 Stan Brakhage's Autobiography as a Cinematic Sequence; 4 Jonas Mekas and the Diary Film; 5 Hollis Frampton and the Specter of Narrative; 6 Robert Beavers's Winged Distance/Sightless Measure: The Cycle of the Ephebe; 7 Beavers's Second Cycle: The Past in the Present-the Present in the Past; 8 Andrew Noren and the Open-Ended Cinematic Sequence; 9 Ernie Gehr and the Axis of Primary Thought; 10 Warren Sonbert's Movements in a Concerto; 11 Brakhage and the Tales of the Tribes12 Frampton's Magellan13 Abigail Child: Textual Self-Reliance; 14 Su Friedrich: "Giving Birth to Myself "; 15 Brakhage: Meditative Cinema; 16 Beavers's Third Cycle: The Theater of Gesture; 17 Mekas's Retrospection; Conclusion: Perfect Exhilaration; Appendix: Chronology of Films; IndexIntroduction: Emersonian Poetics. 1. Marie Menken and the Somatic Camera. 2. Ian Hugo and Superimposition. 3. Stan Brakhage's Autobiography as a Cinematic Sequence. 4. Jonas Mekas and the Diary Film. 5. Hollis Frampton and the Spectre of Narrative. 6. Robert Beavers's Winged Distance/Sightless Measure: The Cycle of the Ephebe. 7. Beavers's Second Cycle: The Past in the Present - The Present in the Past. 8. Andrew Noren and the Open-Ended Cinematic Sequence. 9. Ernie Gehr and the Axis of Primary Thought. 10. Warren Sonbert's Movements in a Concerto. 11. Brakhage and the Tales of the Tribes. 12.Experimental filmsUnited StatesHistory and criticismExperimental filmsHistory and criticism.791.430973Sitney P. Adams530201MiAaPQMiAaPQMiAaPQBOOK9910820232403321Eyes upside down4046095UNINA