04006nam 2200733 450 991081991600332120230912172614.01-281-99740-497866119974031-4426-8052-010.3138/9781442680524(CKB)2420000000004397(OCoLC)244766551(CaPaEBR)ebrary10200883(SSID)ssj0000289627(PQKBManifestationID)11238113(PQKBTitleCode)TC0000289627(PQKBWorkID)10401704(PQKB)10632942(CaPaEBR)417635(CaBNvSL)thg00600869(DE-B1597)479097(OCoLC)992507157(DE-B1597)9781442680524(Au-PeEL)EBL4672011(CaPaEBR)ebr11257697(OCoLC)958572161(VaAlCD)20.500.12592/429mnz(schport)gibson_crkn/2009-12-01/6/417635(MiAaPQ)EBC4672011(OCoLC)815762062(MdBmJHUP)musev2_105284(MiAaPQ)EBC3251328(EXLCZ)99242000000000439720160922h19961996 uy 0engurcn|||||||||txtccrThe barbershop singer inside the social world of a musical hobby /Robert A. StebbinsToronto, [Ontario] ;Buffalo, [New York] ;London, [England] :University of Toronto Press,1996.©19961 online resource (149 p.) Bibliographic Level Mode of Issuance: Monograph0-8020-7829-X Includes bibliographical references and index.""Contents""; ""Preface""; ""Acknowledgments""; ""1 The Social Worlds of American Music""; ""2 The Old Songs""; ""3 Organized Barbershop""; ""4 Becoming a Barbershop Singer""; ""5 Why Sing?""; ""6 Work in Leisure""; ""7 Dissonance in Close Harmony""; ""8 Musical Lifestyles""; ""Appendix: Interview Guide for the Study of Barbershop Singers""; ""Notes""; ""Bibliography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Y""; ""Z""Barbership singing is often dismissed by its critics as merely an enjoyable hobby. Though long popular with both its public and participants, it has been relatively neglected in the field of music studies. Robert A. Stebbins demonstrates that barbershop singing is an elaborate and complicated form of serious leisure that provides its participants with distinctive lifestyles. The Barbershop Singer is a unique case study of this significant musical genre, describing the social world of the barbershop singer and exploring its appeal for both male and female singers. Robert Stebbins traces the history of barbershop singing and compares and contrasts the worlds of jazz, classical music, and barbershop as serious leisure pursuits. Stebbins also reveals its costs and rewards, its complex organizational structures, the social marginality felt by its more dedicated participants, and the main problems facing the art today.Although barbershop singing is clearly a circumscribed social world, understanding how it works expands current knowledge of the variant forms of social participation available to citizens of the modern world. The Barbershop Singer will be of interest to sociologists as well as those involved in the world of barbershop.Barbershop singingMusicSocial aspectsAlbertaCalgaryfastElectronic books. Barbershop singing.MusicSocial aspects.306.4/84Stebbins Robert A.1938-895400MiAaPQMiAaPQMiAaPQBOOK9910819916003321The barbershop singer3980212UNINA