04066nam 2200781Ia 450 991081969550332120200520144314.00-7486-7078-50-7486-7923-51-280-55395-297866105539520-7486-2806-110.1515/9780748628063(CKB)1000000000351175(EBL)271890(OCoLC)476009374(SSID)ssj0000288364(PQKBManifestationID)12106016(PQKBTitleCode)TC0000288364(PQKBWorkID)10374210(PQKB)11135432(SSID)ssj0000099834(PQKBManifestationID)11131551(PQKBTitleCode)TC0000099834(PQKBWorkID)10019951(PQKB)11512630(UkCbUP)CR9780748628063(StDuBDS)EDZ0000092656(MiAaPQ)EBC271890(Au-PeEL)EBL271890(CaPaEBR)ebr10137879(CaONFJC)MIL55395(DE-B1597)616326(DE-B1597)9780748628063(OCoLC)1302166522(EXLCZ)99100000000035117520061029d2006 uy 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierAfrican filmmaking North and South of the Sahara /Roy Armes1st ed.Scotland Edinburgh U.P.20061 online resource (xii, 224 pages) digital, PDF file(s)Traditions in world cinemaTitle from publisher's bibliographic system (viewed on 02 Oct 2015).0-7486-2124-5 0-7486-2123-7 Includes bibliographical references and index.Introduction -- The African experience -- pt. I. Context -- Beginnings -- African initiatives -- The French connection -- pt. II. Confronting reality -- Liberation and postcolonial society -- Individual struggle -- pt. III. New identities -- Experimental narratives -- Exemplary tales -- pt. IV. The new millennium -- The post-independence generation -- Mahamat Saleh Haroun (Chad) -- Dani Kouyaté (Burkina Faso) -- Raja Amari (Tunisia) -- Faouzi Bensaidi (Morocco) -- Abderrahmane Sissako (Mauritania).African Filmmaking: North and South of the Sahara is the first comprehensive study in English linking filmmaking in the Maghreb (Algeria, Morocco and Tunisia) with that in francophone West Africa and examining the factors (including Islam and the involvement of African and French governments) which have shaped post-independence production. The main focus is the development over forty years of two main traditions of African filmmaking: a social realist strand examining the nature of postcolonial society and a more experimental approach where emphasis is placed on new stylistic patterns able to embrace history, myth and magic. The work of younger filmmakers born since independence is examined in the light of these two traditions. Features: *An overview of the socio-political context shaped by Islam and French colonialism. *A look at filmmaking in Africa before the mid-1960s. *An examination of the inputs of African and French governments into post-independence developments North and South of the Sahara. *A historical survey of the two major tendencies in African film production over the past 40 years. *A detailed analysis of the work of five talented young filmmakers, representative of those born since independence. Traditions in world cinema.Motion picturesAfricaMotion picture industryAfricaMotion picturesMotion picture industry791.43096AP 59770BSZrvkArmes Roy222353MiAaPQMiAaPQMiAaPQBOOK9910819695503321African filmmaking1248931UNINA