02598nam 2200649uu 450 991081934980332120230421034041.00-19-772861-81-280-44087-20-19-536163-61-60129-813-710.1093/oso/9780195068917.001.0001(CKB)111004366525790(EBL)272352(OCoLC)47008864(SSID)ssj0000207049(PQKBManifestationID)11189473(PQKBTitleCode)TC0000207049(PQKBWorkID)10235453(PQKB)11267522(Au-PeEL)EBL272352(CaPaEBR)ebr10279494(MiAaPQ)EBC272352(OCoLC)1406784138(StDuBDS)9780197728611(EXLCZ)9911100436652579019971208e20231997 |y |engur|n|---|||||txtccrMusic and the silent film contexts and case studies, 1895-1924 /Martin Miller Marks[electronic resource]New York ;Oxford University Press,2023.1 online resource (320 p.)Oxford scholarship onlineRevision of the author's thesis (doctoral)--Harvard University, 1990.Previously issued in print: 1997.0-585-35077-9 0-19-506891-2 Includes bibliographical references and index.Contents; Appendix Contents; List of Figures; ONE: Film and Music: An Introduction to Research; TWO: First Stages, Dimly Lit: Sources and Scores Prior to 1910; THREE: Film Scores in America, 1910-14; FOUR: Breil's Score for The Birth of a Nation; FIVE: Erik Satie's Score for Entr'acte; Appendix; Notes; IndexMost people's view of silent film music is of a pianist playing old scores while watching the flickering screen. This title shows that there was much more to silent films and that often it was planned from the start as an integral part of the film. The author argues that film scores are a major and vibrant part of 20th century music.Oxford scholarship online.Silent film musicHistory and criticismSilent film musicHistory and criticism.781.5/42Marks Martin Miller1665533DLCDLCUkStDuBDSZStDuBDSZBOOK9910819349803321Music and the silent film4024204UNINA