02890nam 2200613 a 450 991081931680332120230801162542.01-283-27514-797866132751411-61703-128-3(CKB)2550000000056896(EBL)772927(OCoLC)756708281(SSID)ssj0000574819(PQKBManifestationID)11362410(PQKBTitleCode)TC0000574819(PQKBWorkID)10544688(PQKB)10805875(MiAaPQ)EBC772927(MdBmJHUP)muse831(Au-PeEL)EBL772927(CaPaEBR)ebr10501967(CaONFJC)MIL327514(EXLCZ)99255000000005689620110110d2011 uy 0engur|n|---|||||txtccrWill Eisner[electronic resource] conversations /edited by M. Thomas IngeJackson University Press of Mississippic20111 online resource (272 p.)Conversations with comic artistsIncludes index.1-61703-127-5 1-61703-126-7 Cover; Contents; Introduction; Chronology; The Only Real Middle-Class Crimefighter; Having Something to Say; Will Eisner: Before the Comics; An Interview with Will Eisner; An Interview with Will Eisner; Will Eisner Interview; A Talk with Will Eisner; Will Eisner; Mastering the Form: An Interview with Will Eisner; A Cartoonist's Cartoonist; Getting the Last Laugh: My Life in Comics; Will Eisner: The Old Man on the Mountain; Night of the Paper Noir; Will Eisner's Vision and the Future of the Comics; Interview: Will Eisner; Eisner Wide Open; The Spirit of Comics! The Will Eisner InterviewAuteur TheoryIndexWill Eisner's innovations in the comics, especially the comic book and the graphic novel, as well as his devotion to comics analysis, make him one of comics' first true auteurs and the cartoonist so revered and influential that cartooning's highest honor is named after him. His newspaper feature The Spirit (1940-1952) introduced the now-common splash page to the comic book, as well as dramatic angles and lighting effects that were influenced by, and influenced in turn, the conventions of film noir. Even in his tales of crime fighting, Eisner's writing focused on everyday details of city life aConversations with comic artists.CartoonistsUnited StatesInterviewsCartoonists741.5/6973BEisner Will623888Inge M. Thomas1636599MiAaPQMiAaPQMiAaPQBOOK9910819316803321Will Eisner4083715UNINA