02438nam 22005533u 450 991081913060332120210318211711.01-4422-4544-11-4422-4543-3(CKB)2670000000612404(EBL)2035743(SSID)ssj0001482516(PQKBManifestationID)12568447(PQKBTitleCode)TC0001482516(PQKBWorkID)11422224(PQKB)11583225(MiAaPQ)EBC2035743(EXLCZ)99267000000061240420150504d2015|||| uy 0engur|n|---|||||txtrdacontentcrdamediacrrdacarrierOrientalism and the operatic world /Nicholas TarlingLanham, Maryland :Rowman & Littlefield Publishers,2015.1 online resource (356 pages)Description based upon print version of record.Recitatives. Globalising and glocalising opera ; The genre ; Orientalisms -- Arias. Bible-based operas ; Crusaders, Arabs and Turks ; Egypt ; India and Ceylon ; China ; Japan ; Russia.Nicholas Tarling's Orientalism and the Operatic World places opera in the context of its steady globalization over the last two centuries, offering key insights into such notable operas as George Frederic Handel's Berenice, Giuseppe Verdi's Aida, Giacomo Puccini's Madama Butterfly, Pietro Mascagni's Iris, and others. Orientalism and the Operatic World argues that any close study of the history of Western opera, in the end, fails to support notion propounded by literary scholar Edward Said that the Westerners inevitably stereotyped, dehumanized, and ultimately sought only to dominate the East tOperaHistory and criticismOrientalism in operaMusicHILCCMusic, Dance, Drama & FilmHILCCMusic History & Criticism, VocalHILCCOperaHistory and criticismOrientalism in operaMusicMusic, Dance, Drama & FilmMusic History & Criticism, Vocal782.109Tarling Nicholas180023AU-PeELAU-PeELAU-PeELBOOK9910819130603321Orientalism and the operatic world4002057UNINA