08245nam 2201165 450 991081878550332120230803034322.01-61811-376-310.1515/9781618113764(CKB)3710000000082273(EBL)3110539(SSID)ssj0001127776(PQKBManifestationID)11642447(PQKBTitleCode)TC0001127776(PQKBWorkID)11152861(PQKB)11718274(MiAaPQ)EBC3110539(DE-B1597)540881(OCoLC)1135568007(DE-B1597)9781618113764(Au-PeEL)EBL3110539(CaPaEBR)ebr10822260(CaONFJC)MIL580347(OCoLC)922977841(EXLCZ)99371000000008227320140107h20132013 uy| 0engurnn#---|u|||txtccrThe Russian cinema readerVolume twoThe thaw to the present /edited by Rimgaila SalysBoston :Academic Studies Press,2013.©20131 online resource (310 p.)Cultural SyllabusCultural syllabusDescription based upon print version of record.1-61811-321-6 Includes bibliographical references.Front matter --Contents --List of Illustrations --Preface /Salys, Rimgaila --Acknowledgments --Image Credits --Part Four --Cinema of the Thaw 1953-1967 /Prokhorov, Alexander --The Cranes are Flying/Letiat zhuravli --Introduction --Reconfiguring the War and Family Tropes in Thaw-Era Homefront Melodrama /Prokhorov, Alexander --Ballad of a Soldier/Ballada o soldate /Johnson, Vida --Lenin's Guard/Zastava Il'icha /Prokhorov, Alexander --Wings/Kryl'ia --Introduction --Flight Without Wings: The Subjectivity of a Female War Veteran in Larisa Shepit'ko's Wings /Mikhailova, Tatiana / Lipovetsky, Mark --Commissar/Komissar --Introduction --Soviet Structuring Myths in The Commissar /Monastireva-Ansdell, Elena --Part Five --Cinema of Stagnation Late 1960s-1985 /Prokhorova, Elena --The Diamond Arm/Brilliantovaia ruka /Prokhorov, Alexander --White Sun of the Desert/Beloe solntse pustyni --Introduction /Prokhorova, Elena --We Have Been Sitting Here for a Long Time /Salys, Rimgaila --Solaris/Soliaris /Bird, Robert --Stalker --Introduction --Stalker /Johnson, Vida T. / Petrie, Graham --Andrei Tarkovsky: The Elements of Cinema /Bird, Robert --Moscow Does Not Believe in Tears/Moskva slezam ne verit --Introduction --The Cultural Logic of Late Socialism /Kaganovsky, Lilya --Part Six --Perestroika and Post-Soviet Cinema 1985-2000s /Johnson, Vida / Stishova, Elena --Repentance/Monanieba (georgian); Pokaianie (russian) --Introduction --Signs and Symbols: Repentance's Stylistic Devices /Woll, Josephine / Youngblood, Denise J. --Little Vera/Malen'kaia Vera --Introduction --Between Joy and Suicide: Fathers, Daughters, and Little Vera /Horton, Andrew / Brashinsky, Mikhail --Burnt by the Sun/Utomlennye solntsem --Introduction --Burnt by the Sun /Beumers, Birgit --Burnt by the Sun /Larsen, Susan --Brother/Brat --Introduction --Brother /Beumers, Birgit --Russian Ark/Russkii kovcheg /Bird, Robert --The Return/Vozvrashchenie --Introduction --Tarkovsky's Return, or Zviagintsev's Vozvrashchenie /Beumers, Birgit --Arrested Returns /Vicks, Meghan --Night Watch/Nochnoi dozor /Strukov, Vlad --The Tuner/Nastroishchik /Condee, Nancy --Ninth Company/Deviataia rota /Carleton, Gregory --How I Ended This Summer/Kak ia provel etim letom /Strukov, VladThis two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, Stalinist Cinema, Cinema of the Thaw, Cinema of Stagnation, Perestroika and Post-Soviet Cinema) outline its cinematic significance and provide historical context for the non-specialist reader. Essays are accompanied by suggestions for further reading. The reader will be useful both for film studies specialists and for Slavists who wish to broaden their Russian Studies curriculum by incorporating film courses or culture courses with cinematic material. Volumes one and two may be ordered separately to accommodate the timeframe and contents of courses. Volume one films: Sten'ka Razin, The Cameraman's Revenge, The Merchant Bashkirov's Daughter, Child of the Big City, The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks, Battleship Potemkin, Bed and Sofa, Man with a Movie Camera, Earth, Chapaev, Circus, Ivan the Terrible, Parts I and II. Volume two films: The Cranes are Flying, Ballad of a Soldier, Lenin's Guard, Wings, Commissar, The Diamond Arm, White Sun of the Desert, Solaris, Stalker, Moscow Does Not Believe in Tears, Repentance, Little Vera, Burnt by the Sun, Brother, Russian Ark, The Return, Night Watch, The Tuner, Ninth Company, How I Ended This Summer. Contributors: Birgit Beumers, Robert Bird, David Bordwell, Mikhail Brashinsky, Oksana Bulgakova, Gregory Carlson, Nancy Condee, Julian Graffy, Jeremy Hicks, Andrew Horton, Steven Hutchings, Vida Johnson, Lilya Kaganovsky, Vance Kepley, Jr., Susan Larsen, Mark Lipovetsky, Tatiana Mikhailova, Elena Monastireva-Ansdell, Joan Neuberger, Vlada Petrić, Graham Petrie, Alexander Prokhorov, Elena Prokhorova, Rimgaila Salys, Elena Stishova, Vlad Strukov, Yuri Tsivian, Meghan Vicks, Josephine Woll, Denise J. YoungbloodCultural SyllabusThaw to the presentMotion picturesRussia (Federation)History and criticismMotion picturesRussia (Federation)History20th centuryMotion picturesRussia (Federation)History21st centuryMotion picturesRussiaHistory20th centuryMotion picturesSoviet UnionHistory and criticismMotion picturesSoviet UnionHistory20th centurySoviet UnionHistory1953-1985Ballad of a Soldier.Brother.Burnt by the Sun.Commissar.Eastern Europe.How I Ended This Summer.Lenin's Guard.Little Vera.Moscow Does Not Believe in Tears.Night Watch.Ninth Company.Repentance.Russia.Russian Ark.Russian Thaw.Solaris.Soviet.Stalker.The Cranes are Flying.The Diamond Arm.The Return.The Tuner.White Sun of the Desert.Wings.aesthetics.analysis.art.cinema.culture.film.history.motion pictures.movies.silent film.Motion picturesHistory and criticism.Motion picturesHistoryMotion picturesHistoryMotion picturesHistoryMotion picturesHistory and criticism.Motion picturesHistory791.4309Salys Rimgaila1604905MiAaPQMiAaPQMiAaPQBOOK9910818785503321The Russian cinema reader3929887UNINA06742nam 22007695 450 991030047590332120200705012820.09781430259459143025945010.1007/978-1-4302-5945-9(CKB)3720000000024270(EBL)1781930(OCoLC)884587577(SSID)ssj0001297319(PQKBManifestationID)11724777(PQKBTitleCode)TC0001297319(PQKBWorkID)11362971(PQKB)11232246(MiAaPQ)EBC1781930(DE-He213)978-1-4302-5945-9(CaSebORM)9781430259459(PPN)179920901(OCoLC)885593864(OCoLC)ocn885593864(EXLCZ)99372000000002427020140701d2014 u| 0engur|n|---|||||txtccrJavaScript Creativity Exploring the Modern Capabilities of JavaScript and HTML5 /by Shane Hudson1st ed. 2014.Berkeley, CA :Apress :Imprint: Apress,2014.1 online resource (171 p.)Expert's voice in web development Javascript creativity Description based upon print version of record.9781322131832 132213183X 9781430259442 1430259442 Includes bibliographical references and index.""JavaScript Creativity""; ""Contents at a Glance""; ""Contents""; ""About the Author""; ""About the Technical Reviewer""; ""Acknowledgments""; ""Foreword""; ""Chapter 1: Introduction""; ""What You Need to Know""; ""CSS""; ""Debugging""; ""Browser Compatibility""; ""JavaScript Console""; ""Access to variables""; ""Prompt""; ""Sources""; ""Live editing""; ""Breakpoints""; ""Timeline""; ""Canvas Profiles""; ""Summary""; ""Chapter 2: Canvas and Animation Basics""; ""What Is Canvas?""; ""RequestAnimationFrame""; ""Linear Interpolation""; ""Follow the Mouse""; ""Bouncing Box""""“Cleverâ€? Animation""""Introducing Drag-and-Drop""; ""Making the Paintbrush""; ""Summary""; ""Chapter 3: Audio and Video Basics""; ""Containers and Codecs""; ""Containers""; ""WebM""; ""MP4""; ""QuickTime File Format""; ""AVI""; ""ASF""; ""Ogg""; ""Matroska""; ""WAV""; ""Codecs""; ""MP3""; ""Vorbis""; ""AAC""; ""AC-3""; ""H.264""; ""VP8""; ""Theora""; ""Encoding Videos""; ""Browser Compatibility""; ""Using the and elements""; """"; """"; ""Attributes and Properties""; ""Controls""; ""Autoplay""; ""Preload""; ""Loop""; ""Played""; ""Buffered""; ""Duration""""Volume""""Playback Rate""; ""Network State""; ""Web Audio API""; ""Analyzing Audio""; ""Frequency Visualization""; ""Spectrogram""; ""Web Audio API Nodes""; ""Manipulating Video""; ""Summary""; ""Chapter 4: Beginning 3D""; ""Basics of 3D""; ""Three.js""; ""Make a Scene""; ""Adding Meshes""; ""Extrusion""; ""Text""; ""Lighting""; ""Materials""; ""Data Visualizations""; ""3D Node Graph""; ""Adding Data""; ""Summary""; ""Chapter 5: Creating Music in the Browser""; ""Music Theory""; ""Creating a Keyboard""; ""Recording the Music""; ""Timeline""; ""Summary""; ""Chapter 6: The Music Player""""Media Player""""Specification""; ""Where to Start""; ""Playlists""; ""Models""; ""Views""; ""Player Object""; ""Main App View""; ""Drag and Drop""; ""Integrating the Music Creation""; ""Music Visualization""; ""Summary""; ""Chapter 7: Real-time Collaboration with Node.js""; ""Making a Chatroom""; ""Installing Node.js""; ""Socket.IO and Express""; ""Summary""; ""Chapter 8: Video-to-Video Using WebRTC""; ""Introduction to WebRTC""; ""GetUserMedia()""; ""Specifications""; ""Servers""; ""Where to Start?""; ""Technologies Behind WebRTC""; ""ICE""; ""NAT Traversal""; ""STUN/TURN""; ""SDP""""Client-side Code""""Summary""; ""Chapter 9: Motion Detection""; ""A n Introduction to Motion Detection""; ""Boilerplate for Video Manipulation""; ""Basic Video Manipulation""; ""Motion Detection""; ""Motion Tracking""; ""Haar-like Features""; ""Violaâ€?Jones""; ""Using js-objectDetect""; ""Summary""; ""Chapter 10: Interacting with the Browser Using Gestures""; ""Taking the Keyboard Server-Side""; ""Controlling the Music with a Webcam""; ""Summary""; ""CHAPTER 11: Appendix""; ""The Future""; ""Further Reading""; ""Algorithms""; ""Links""; ""Chapter 1""; ""Chapter 3""; ""Chapter 4""""Chapter 5""JavaScript Creativity teaches you how to use every feature of this versatile and powerful language in exciting and creative ways. JavaScript can be used for so much more than simple interactivity. Master your use of canvas, animation, audio and video, 3D visualizations, motion detection and real-time collaboration. In every chapter of this book you will learn how to use and evolve JavaScript's creative capabilities in your own projects, as well as having project examples to follow throughout. Specifically, you will learn how to: Expertly use canvas and animation Push audio and video to their full capabilities Code and manipulate advanced 3D visualizations Create your own music directly from the browser Implement real-time collaboration with Node.js Explore real-time audio and video with WebRTC Play with motion detection and gesture control Combine all features into one social music creation experiment, similar to Google's 'Jam with Chrome' JavaScript Creativity is for the developer who has a working knowledge of JavaScript and wants to take their code to the next level. Every feature explored can be manipulated and implemented in your everyday projects to really impress your clients or just increase your code skill. This book is an exciting, action-packed introduction to all the advanced and truly creative aspects of this language - start creative coding today!Computer programmingSoftware engineeringWeb Developmenthttps://scigraph.springernature.com/ontologies/product-market-codes/I29050Software Engineering/Programming and Operating Systemshttps://scigraph.springernature.com/ontologies/product-market-codes/I14002Computer programming.Software engineering.Web Development.Software Engineering/Programming and Operating Systems.004005.2006.76Hudson Shaneauthttp://id.loc.gov/vocabulary/relators/aut959569UMIUMIBOOK9910300475903321JavaScript Creativity2174431UNINA