02456nam 2200505 450 991081875250332120230810001027.01-4422-7168-X(CKB)3710000000851740(PQKBManifestationID)16432581(PQKBWorkID)14974477(PQKB)21385120(MiAaPQ)EBC4675538(EXLCZ)99371000000085174020160425h20172017 uy| 0engurcnu||||||||txtccrThe ambivalent legacy of Elia Kazan the politics of the post-HUAC films /Ron BrileyLanham :Rowman & Littlefield,[2017]©20171 online resource (277 pages)Film and historyBibliographic Level Mode of Issuance: Monograph1-4422-7167-1 Includes bibliographical references and index.Introduction: no regrets? -- Viva Zapata! (1952) and Cold War liberalism -- Kazan and the anticommunist film genre: Man on a tightrope (1953) -- The ambivalence of informing: On the waterfront (1954) -- Father and sons and the cost of pursuing the American Dream: East of Eden (1955) -- Sexuality and the new south: Baby doll (1956) -- A return to progressive principles and the shape of things to come: A face in the crowd (1957) -- Looking backward and the cost of progress: Wild river (1960) -- Anticipating the youth rebellion: Splendor in the grass (1960) -- The Anatolian smile and the immigrant experience: America America (1963) -- Rebelling against the arranged life: The arrangement (1969) -- The final films: The visitors (1971) and The last tycoon (1976).Film and history (Lanham, Md.)Motion picture producers and directorsPolitical activityUnited StatesMotion picturesPolitical aspectsUnited StatesHistory20th centuryCommunism and motion picturesUnited StatesMotion picture producers and directorsPolitical activityMotion picturesPolitical aspectsHistoryCommunism and motion pictures791.4302/33092Briley Ron1949-1211984MiAaPQMiAaPQMiAaPQBOOK9910818752503321The ambivalent legacy of Elia Kazan4122670UNINA