02759nam 22005891 450 991081855900332120200514202323.01-4411-2873-51-4725-4577-X1-283-32205-697866133220501-4411-4619-910.5040/9781472545770(CKB)2550000000062134(EBL)797513(OCoLC)760887497(SSID)ssj0000551779(PQKBManifestationID)11344797(PQKBTitleCode)TC0000551779(PQKBWorkID)10539040(PQKB)10204157(MiAaPQ)EBC797513(UtOrBLW)bpp09255614(EXLCZ)99255000000006213420140929d2011 uy 0engur|n|---|||||txtccrNew philosophies of film thinking images /Robert SinnerbrinkLondon ;New York :Continuum International Pub. Group,2011.1 online resource (258 p.)Description based upon print version of record.1-4411-2257-5 1-4411-5343-8 Includes bibliographical references and index.Includes filmography.Introduction: why did philosophy go to the movies? -- The analytic-cognitivist turn. The empire strikes back: critiques of "grand theory" -- The rules of the game: new ontologies of film -- Adaptation: philosophical approaches to narrative -- From cognitivism to film-philosophy. A.I.: cognitivism goes to the movies -- Bande a part: Deleuze and Cavell as film-philosophers -- Scenes from a marriage: film as philosophy -- Cinematic thinking. Hollywood in trouble: David Lynch's Inland empire -- "Chaos reigns": anti-cognitivism in Lars von trier's Antichrist -- Song of the earth: cinematic romanticism in Malick's The new world -- Coda: "the six most beautiful minutes in the history of cinema".This is a critical exploration of analytic and Continental philosophies of film, which puts film-philosophy into practice with detailed discussions of three filmmakers. The book includes philosophical readings of three key contemporary filmmakers: Malick, Lynch and Von Trier. It also features links to online resources, guides to further reading and a filmographyMotion picturesPhilosophyPhilosophy: aestheticsMotion picturesPhilosophy.791.4301Sinnerbrink Robert875853UtOrBLWUtOrBLWUkLoBPBOOK9910818559003321New philosophies of film3982731UNINA