01815nam--2200397---450-99000605380020331620150806124121.0000605380USA01000605380(ALEPH)000605380USA0100060538020150626d--------km-y0itay50------baitaIT||||||||001yyGiannettoopera che in Firenze ottenne il premio promesso al più bel libro di lettura ad uso de' fanciulli del popolo ...di L. A. ParraviciniNapoliTipografia Partenopeavolumi18 cmVol. 2. - 7. ed. napoletana, corretta e ricopiata sulla 7. edizione livornese e 27. italiana, alla quale vi si accrebbero gli accenti sulle lettere per la retta pronunzia delle parole a vantaggio della gioventù e de' forestieri che imparano la lingua italiana. - 1847. - 208 p.Vol. 4. - 7. ed. napoletana, corretta e ricopiata sulla 6. edizione livornese e 27. italiana, alla quale vi si accrebbero gli accenti sulle lettere per la retta pronunzia delle parole a vantaggio della gioventù e de' forestieri che imparano la lingua italiana. - A spese di Gennaro Cimmaruta, 1847. - 163 p.20012001853.7PARRAVICINI,Luigi Alessandro482346ITsalbcISBD990006053800203316XV.7. 40 265 FCarXV.7.378171XV.7. 40 446 FCarXV.7.377530BKFCARGENEROSO9020150626USA011133CHIARA9020150626USA011136CHIARA9020150723USA011000GENEROSO9020150723USA011014ALESSANDRA9020150806USA011241Giannetto1074135UNISA01443nam0 22003133i 450 VAN009809820140612023404.46429-04-11024-020140609d1997 |0itac50 bafreFR|||| |||||ˆLa ‰dynamique des paysages protohistoriques, antiques, medievaux et modernesactes des rencontres 19-20-21 octobre 1996edités par Joëlle Burnouf, Jean Paul Bravard, Gérard ChouquerSophia Antipolis : Éditions APDCA1997624 p. : ill. ; 24 cmIn testa al front.XVIIe rencontres internationales d'archeologie et d'histoire d'Antibes.Sophia AntipolisVANL001898BravardJean P.VANV077466BurnoufJoëlleVANV077465ChouquerGérardVANV048050APDCAVANV114168650Bravard , Jean PaulBravard, Jean P.VANV077474Chouquer, GerardChouquer, GérardVANV066940ITSOL20230616RICABIBLIOTECA DEL DIPARTIMENTO DI LETTERE E BENI CULTURALIIT-CE0103VAN07VAN0098098BIBLIOTECA DEL DIPARTIMENTO DI LETTERE E BENI CULTURALI07CONS Ae 310 07DP 3599 20140609 Dynamique des paysages protohistoriques, antiques, medievaux et modernes1408116UNICAMPANIA03649nam 2200577 450 991081791940332120230809230447.03-11-048496-X3-11-048621-010.1515/9783110486216(CKB)3850000000001039(MiAaPQ)EBC4855892(DE-B1597)467633(OCoLC)987921693(DE-B1597)9783110486216(Au-PeEL)EBL4855892(CaPaEBR)ebr11382553(OCoLC)987075866(EXLCZ)99385000000000103920170529h20172017 uy 0engurcnu||||||||rdacontentrdamediardacarrierProductive digression theorizing practice /Anselm HaverkampBerlin, [Germany] ;Boston, [Massachusetts] :De Gruyter,2017.©20171 online resource (234 pages) illustrations, tablesParadigms,2195-2205 ;Volume 53-11-048258-4 Includes bibliographical references at the end of each chapters and index.Frontmatter -- Preface -- Contents -- Equivalence Unbalanced -- Art Awaits Its Explanation -- The Scandal of Metaphorology -- Blumenberg in Davos -- Art is Messianicity: Radical Illustration in the Face of God -- The Phaocentrism of the Eye -- Confessio Infirmitatis or Productive Digression -- In/Doors: The Dialectic of Inside and Outside -- To Conceive of, in Pictures -- Christ's Case -- To Destroy Painting: The Baroque Caesura of History -- Chaos by Design -- Mass Times Acceleration -- A Narrow Thing Within One Word -- Life in the Sonnets -- Mirror Effects in Euphantasy Land -- Index of NamesProductive Digression is a translation of the ancient term poetics: as a practice of theory. The products produced in the mode of poiesis are 'digressive' in that they operate off track; they resist the main stream of every day prose. They do so for various reasons and in various respects. Mostly, they are explained historically, relative to historical contexts and, that is, contrary to what they are meant to resist. Instead, this book investigates the modes of resistance, their epistemology of production, in short, the logic of digression. The method addresses the singular exemplarity of art and literature; it elucidates the impact of poiesis as an epistemological challenge and redefines the analysis of literature and art as branches of an Historical Epistemology. Proceeding from the state of affairs in 20th century criticism and aesthetics (Benjamin, Adorno, Blumenberg, Merleau-Ponty), the epistemology of representation (Whitehead, Canguilhem, Bachelard, Rheinberger) is revised in, and with respect to critical consequences (Derrida, Marin, de Man, Agamben). From literary criticism and critical legal studies to the scenario of the life sciences, the essays collected here redirect the logic of research towards the epistemological grounds of an aesthetics underneath the hermeneutics of every day life. SociolinguisticsPsycholinguisticsEmergence, memory.hyper-reflexivity.iconic difference.latent vs. manifest.Sociolinguistics.Psycholinguistics.306.44Haverkamp Anselm184579MiAaPQMiAaPQMiAaPQBOOK9910817919403321Productive digression3962365UNINA