04162nam 2200781 450 991081790500332120230912153409.01-281-99437-597866119943721-4426-8144-610.3138/9781442681446(CKB)2430000000001869(EBL)3255231(SSID)ssj0000298657(PQKBManifestationID)11226383(PQKBTitleCode)TC0000298657(PQKBWorkID)10344398(PQKB)10028951(CaBNvSL)thg00600960 (DE-B1597)464978(OCoLC)1013947831(OCoLC)944177277(DE-B1597)9781442681446(Au-PeEL)EBL4672073(CaPaEBR)ebr11257757(CaONFJC)MIL199437(OCoLC)958581290(VaAlCD)20.500.12592/drwnwq(schport)gibson_crkn/2009-12-01/6/418438(MiAaPQ)EBC4672073(OCoLC)244767948(MdBmJHUP)musev2_105354(MiAaPQ)EBC3255231(EXLCZ)99243000000000186920160914h20032003 uy 0engur|n|---|||||txtccrThe historic imaginary politics of history in Fascist Italy /Claudio FoguToronto, [Ontario] ;Buffalo, [New York] ;London, [England] :University of Toronto Press,2003.©20031 online resource (280 p.)Toronto Italian StudiesIncludes index.0-8020-8764-7 Includes bibliographical references and index.Introduction -- History belongs to the present -- Il Duce Taumaturgo -- Historical spectacle -- The historic imaginary and the mass media -- The contest of exhibitions -- Fascist historic culture.Focusing on both ritual and mass-visual representations of history in 1920s and 1930s Italy, The Historic Imaginary unveils how Italian Fascism sought to institutionalize a modernist culture of history. The study takes a new historicist and microhistorical approach to cultural-intellectual history, integrating theoretical tools of analysis acquired from visual-cultural studies, art history, linguistics, and reception theory in a sophisticated examination of visual modes of historical representation - from commemorations to monuments to exhibitions and mass-media spanning the entire period of the Italian-fascist regime. Claudio Fogu argues that the fascist historic imaginary was intellectually rooted in the actualist philosophy of history elaborated by Giovanni Gentile, culturally grounded in Latin-Catholic rhetorical codes, and aimed at overcoming both Marxist and liberal conceptions of the relationship between historical agency, representation, and consciousness. The book further proposes that this modernist vision of history was a core element of fascist ideology, encapsulated by the famous Mussolinian motto that "fascism makes history rather than writing it," and that its institutionalization constituted a key point of intersection between the fascist aesthetization and sacralization of politics. The author finally claims that his study of fascist historic culture opens the way to an understanding and re-evaluation of the historical relationship between the modernist critique of historical consciousness and the rise of post-modernist forms of temporality.Fascism and cultureItalyHistory20th centuryFascismItalyHistory20th centuryFascismItalyHistoriographyItalyHistory1922-1945HistoriographyHistory.Electronic books. Fascism and cultureHistoryFascismHistoryFascismHistoriography.945.091Fogu Claudio1963-308102MiAaPQMiAaPQMiAaPQBOOK9910817905003321The historic imaginary3915709UNINA