03824nam 2200553I 450 991081761870332120200715114646.01-83909-047-21-83909-045-6(CKB)4100000011296142(MiAaPQ)EBC6227235(UtOrBLW)9781839090479(EXLCZ)99410000001129614220200715d2020 uy 0engurun|||||||||txtrdacontentcrdamediacrrdacarrierPhotography and death framing death throughout history /authored by Racheal Harris (Deakin University, Australia)1st ed.Bingley, England :Emerald Publishing,[2020]©20201 online resource (ix, 190 pages) illustrationsEmerald studies in death and cultureIncludes index.1-83909-048-0 Includes bibliographical references.Intro -- Half Title Page -- Series Page -- Title Page -- Copyright Page -- Dedication Page -- Contents -- List of Images -- Acknowledgements -- Introduction-Death and Post-mortem Photography in History -- Chapter 1-Romance: Post-mortem Photography -- 1.1 Alternatives to Pre- and Post-mortem Portraiture -- 1.2 The Good Death -- 1.3 Composition of the Death and Near-death Image -- 1.4 The Imitation of Life -- 1.5 Post-mortem Coffin Images -- 1.6. Counter Narratives -- 1.7. Other Uses for Death Photography -- 1.8. Conclusion -- Chapter 2-Anonymity: War Photography2.1. Photojournalism and Death -- 2.2. Photographing the Dead: The Battlefield -- 2.3. Interacting with the Dead: Mass Production of Images -- 2.4. Later War Images -- 2.5. World War I -- 2.6. World War II -- 2.7. Embalming the Dead: Preservation of Soldiers -- 2.8. Conclusion -- Chapter 3-Continuance: Spirit Photography -- 3.1. Spirit Images and Spiritualism -- 3.2. The Relationship between War and Spiritualism -- 3.3. Composition of the Spirit Image -- 3.4. William Mumler -- 3.5. Séance Photographs -- 3.6. Conclusion -- Pictorial Inserts -- Chapter 4-Violence: The Lynching Photograph4.1. OWNERSHIP OF THE BODY AND THE LYNCHING IMAGE -- 4.2. Lynching and Race -- 4.3. Lynching and Segregation -- 4.4. Lynching Images -- 4.5. History and Contemporary Guilt -- 4.6. Historical Evidence and the Death Narrative -- 4.7. The Audience Within -- 4.8. The Audience Without -- 4.9. Conclusion -- Chapter 5-Ownership: Celebrity Death -- 5.1. Ownership of the Celebrity Body -- 5.2. Body Removal -- 5.3. Scene of the Crime -- 5.4. Suicide and Autopsy Photographs -- 5.5. Kurt Cobain -- 5.6. Tupac -- 5.7. THE IMAGE AS KEEPSAKE -- 5.8. Celebrity Grave Sites -- 5.9. ConclusionExamining a spectrum of post-mortem images, this volume considers what death photography communicates about attitudes related to dying, mourning and the afterlife. Focusing on American examples, topics are discussed alongside contemporary representations of death, as seen in celebrity death images and forensic photography.Emerald studies in death and culture.Postmortem photographyPsychological aspectsDeathPsychological aspectsPhotography, Subjects & ThemesGeneralbisacshSpecial kinds of photographybicsscPostmortem photographyPsychological aspects.DeathPsychological aspects.Photography, Subjects & ThemesGeneral.Special kinds of photography.770Harris Racheal1714561UtOrBLWUtOrBLWBOOK9910817618703321Photography and death4108501UNINA