02677nam 2200637 450 991081746660332120230126212532.00-8156-5287-9(CKB)3710000000324161(EBL)4649095(SSID)ssj0001620181(PQKBManifestationID)16350873(PQKBTitleCode)TC0001620181(PQKBWorkID)14923703(PQKB)11737490(MiAaPQ)EBC4649095(OCoLC)902702177(MdBmJHUP)muse37758(Au-PeEL)EBL4649095(CaPaEBR)ebr11249979(EXLCZ)99371000000032416120160906h20152015 uy 0engur|n|---|||||txtccrBlack male frames African Americans in a century of Hollywood cinema, 1903-2003 /Roland Leander Williams JrFirst edition.Syracuse, New York :Syracuse University Press,2015.©20151 online resource (222 p.)Television and Popular CultureDescription based upon print version of record.0-8156-3382-3 Includes bibliographical references and index.Original frames -- New Negro -- Renaissance man -- Civil servant -- Soul brother -- Good buddy -- Curtain call."Charts the development and shifting popularity of two stereotypes of black masculinity in popular American film? "the shaman" and "the scoundrel." Starting with colonial times, Williams identifies the origins of these roles in an America where black men were forced either to defy or to defer to their white masters. These figures recur in the stories America tells about its black men, from the fictional Jim Crow and Zip Coon to historical figures such as Booker T. Washington and W.E.B. Du Bois."Television and popular culture.African Americans in motion picturesStereotypes (Social psychology) in motion picturesMotion picturesSocial aspectsUnited StatesMotion picturesUnited StatesHistoryAfrican Americans in motion pictures.Stereotypes (Social psychology) in motion pictures.Motion picturesSocial aspectsMotion picturesHistory.791.43089/96073Williams Roland Leander1953-1694816MiAaPQMiAaPQMiAaPQBOOK9910817466603321Black male frames4073618UNINA