02817oam 2200685I 450 991081745770332120240410082059.01-134-91871-21-280-11288-31-134-91872-00-203-97646-010.4324/9780203976463 (CKB)1000000000455209(EBL)237249(OCoLC)437150733(SSID)ssj0000299681(PQKBManifestationID)11266114(PQKBTitleCode)TC0000299681(PQKBWorkID)10242557(PQKB)10377145(SSID)ssj0000179312(PQKBManifestationID)11154184(PQKBTitleCode)TC0000179312(PQKBWorkID)10126414(PQKB)11790369(MiAaPQ)EBC237249(Au-PeEL)EBL237249(CaPaEBR)ebr10100132(CaONFJC)MIL11288(OCoLC)60692542(EXLCZ)99100000000045520920180331d2000 uy 0engur|n|---|||||txtccrIngres then, and now /Adrian Rifkin1st ed.London ;New York :Routledge,2000.1 online resource (178 p.)Re visionsDescription based upon print version of record.0-415-06698-0 0-415-06697-2 Includes bibliographical references and index.Front Cover; Ingres Then, and Now; Copyright Page; Contents; List of illustrations; Acknowledgements; Preliminary: from the bizarre to the sublime; Introduction: the formation of a palimpsest; 1. Ingres and the Arcades; 2. Académie, or the colour white and the childhood of art criticism; 3. A filament in the tissues of modernity; IndexIngres Then, and Now is an innovative study of one of the best-known French artists of the nineteenth century, Jean Auguste Dominique Ingres. Adrian Rifkin re-evaluates Ingres' work in the context of a variety of literary, musical and visual cultures which are normally seen as alien to him. Re-viewing Ingres' paintings as a series of fragmentary symptoms of the commodity cultures of nineteenth-century Paris, Adrian Rifkin draws the artist away from his familiar association with the Academy and the Salon.Rifkin sets out to show how, by thinking of the historical archive as a form Re visions (London, England)PaintingHistoryPaintingHistory.759.4BRifkin Adrian.245086FlBoTFGFlBoTFGBOOK9910817457703321Ingres then, and now3931579UNINA