02727nam 2200553 450 991081741930332120230126220451.00-271-07978-90-271-07980-010.1515/9780271079806(CKB)3840000000326088(OCoLC)1052514699(MdBmJHUP)muse68710(MiAaPQ)EBC6224776(DE-B1597)584484(DE-B1597)9780271079806(OCoLC)1262307487(EXLCZ)99384000000032608820201001d2017 uy 0engur|||||||nn|ntxtrdacontentcrdamediacrrdacarrierColor in the age of impressionism commerce, technology, and art /Laura Anne KalbaUniversity Park, Pennsylvania :Pennsylvania State University Press,[2017]©20171 online resource (xvii, 266 pages )RM, refiguring modernism0-271-07700-X Includes bibliographical references (pages 241-258) and index.Front matter --CONTENTS --List of Illustrations --Acknowledgments --Introduction --Chapter One. Michel- Eugène Chevreul, Color, and the Dangers of Excessive Variety --Chapter Two . From Blue Roses to Yellow Violets: Flowers and the Cultivation of Color --Chapter Three . Impressionism’s Chemical Aesthetic: The Materials and Meanings of Color --Chapter Four . Fireworks: Color, Fantasy, and the Visual Culture of Modern Enchantment --Chapter Five . Chromolithography: Posters, Trade Cards, and the Politics of Ephemera Collecting in Fin-de-Siècle France --Epilogue . Autochromes and Neo- Impressionism: The End of the Age of Impressionism --Notes --Bibliography --Index"Analyzes the impact of color technologies on the visual culture of nineteenth-century France, from the early commercialization of synthetic dyes to the Lumiere brothers' perfection of the autochrome color photography process. Examines the development of the basic aesthetic schemata of modern visual culture"--Provided by publisher.Refiguring modernism.Color in artColorSocial aspectsFranceHistory19th centuryImpressionism (Art)FranceColor in art.ColorSocial aspectsHistoryImpressionism (Art)701.85Kalba Laura Anne1977-1598795MiAaPQMiAaPQMiAaPQBOOK9910817419303321Color in the age of impressionism3921202UNINA