02754nam 2200625Ia 450 991081666620332120240418092454.01-134-00207-61-281-83733-497866118373340-203-89200-3(CKB)1000000000542947(EBL)362260(OCoLC)476192477(SSID)ssj0000122300(PQKBManifestationID)11135954(PQKBTitleCode)TC0000122300(PQKBWorkID)10122857(PQKB)11241258(MiAaPQ)EBC362260(Au-PeEL)EBL362260(CaPaEBR)ebr10258190(CaONFJC)MIL183733(EXLCZ)99100000000054294720080312d2009 uy 0engur|n|---|||||txtccrCinematic geopolitics /Michael J. Shapiro1st ed.London ;New York Routledge20091 online resource (190 p.)Global horizonsDescription based upon print version of record.0-415-77636-8 0-415-77635-X Includes bibliographical references (p. [156]-171) and index.Book Cover; Title; Copyright; Dedication; Contents; Figures; Acknowledgments; Introduction; 1 The new violent cartography; 2 Preemption up close: Film and pax Americana; 3 Fogs of war; 4 The sublime today: Re-partitioning the global sensible; 5 Aesthetics of disintegration: Allegiance and intimacy in the former "Eastern bloc"; 6 Perpetual war?; Notes; IndexIn recent years, film has been one of the major genres within which the imaginaries involved in mapping the geopolitical world have been represented and reflected upon. In this book, one of America's foremost theorists of culture and politics treats those aspects of the ""geopolitical aesthetic"" that must be addressed in light of both the post cold war and post 9/11 world and contemporary film theory and philosophy. Beginning with an account of his experience as a juror at film festival's, Michael J. Shapiro's Cinematic Geopolitics analyzes the ways in which film festival spaGlobal horizons.Motion picturesPolitical aspectsUnited StatesWar filmsUnited StatesHistory and criticismMotion picturesPolitical aspectsWar filmsHistory and criticism.791.43/6581Shapiro Michael J55415MiAaPQMiAaPQMiAaPQBOOK9910816666203321Cinematic geopolitics3939992UNINA