01744nam 2200457 450 991081649530332120220704125745.01-78406-034-8(CKB)2560000000328361(MiAaPQ)EBC6482601(Au-PeEL)EBL6482601(OCoLC)1239986372(PPN)18541365X(EXLCZ)99256000000032836120220704d2014 uy 0freurcnu||||||||txtrdacontentcrdamediacrrdacarrierNumérisation 3D de Bâtiments cas des édifices remarquables /Raphaële Héno, Laure ChandelierLondon :ISTE Editions Ltd.,2014.1 online resource (174 pages)Collection SIG et intelligence territoriale1-78405-034-2 Intro -- Table des matières -- Introduction -- 1. Les besoins spécifiques à la numérisation 3D d'édifices remarquables -- 2. Numérisation à partir d'images -- 3. Numérisation par scanner laser -- 4. Complémentarité des techniques -- 5. Traitement des nuages de points -- 6. Gestion et exploitation des relevés -- Conclusion -- Index.Collection SIG et intelligence territoriale.Computer architectureBuildingComputer simulationComputer architecture.BuildingComputer simulation.004.22Héno Raphaële1676491Chandelier LaureMiAaPQMiAaPQMiAaPQBOOK9910816495303321Numérisation 3D de Bâtiments4077435UNINA03765nam 22005775 450 991049518780332120240627164909.09783030800765303080076810.1007/978-3-030-80076-5(CKB)4100000011996791(MiAaPQ)EBC6698990(Au-PeEL)EBL6698990(OCoLC)1265465251(DE-He213)978-3-030-80076-5(EXLCZ)99410000001199679120210812d2021 u| 0enguraz#---auuuutxtrdacontentcrdamediacrrdacarrierMUBI and the Curation Model of Video on Demand /by Mattias Frey1st ed. 2021.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2021.1 online resource (xi, 168 pages) illustrations (some color)9783030800758 303080075X Includes bibliographical references and index,1 Introduction -- 2 Curation as Discourse, Trend and Cultural Salve -- 3 The Curation Business Model -- 4 MUBI History: Connections, Community and Curation -- 5 Recommendation Credibility in the MUBI Interface -- 6 The MUBI Audience -- 7 At the End of the Long Tail.Subscription video on demand (SVOD) represents the fastest-growing means to consume films and series. Although market leaders Netflix and Amazon Prime have received much scholarly attention for the way that they use algorithms and big data to connect users to content, there is another significant, relatively unexamined model: curation-style services such as BFI Player, IFC Unlimited, the Criterion Channel or MUBI - the latter, which forms the focus of this book, claims to be the world's most subscribed independent video on demand service. These platforms take advantage of common anxieties about algorithms, cultural surplus and filter bubbles to promote discovery, human-generated recommendations and quality over quantity of content. Deploying an original, holistic methodology that includes analysis of technological affordances, marketing rhetoric, business models, interviews with company executives and a qualiquantitative audience study, this book critically analyses MUBI as a way to understand this particular mode of content aggregation, cultural recommendation, choice architecture and community building. Curation services address a real, but decidedly circumscribed gap in the market. Ultimately, MUBI offers film, media and business scholars an instructive example of the fate of art cinema and media diversity in a digital culture increasingly dominated by a few giant tech companies. Mattias Frey is Professor of Film, Media and Culture at the University of Kent, UK. He is the author or editor of eight books, including The Permanent Crisis of Film Criticism (2015); Film Criticism in the Digital Age (co-edited with Cecilia Sayad, 2015); and Netflix Recommends: Algorithms, Film Choice, and the History of Taste (2021).Motion picture industryTelevision broadcastingDigital mediaFilm and Television IndustryDigital and New MediaMotion picture industry.Television broadcasting.Digital media.Film and Television Industry.Digital and New Media.338.47621388332384.55502854678Frey Mattias849282MiAaPQMiAaPQMiAaPQBOOK9910495187803321MUBI and the curation model of video on demand1896753UNINA