02506nam 2200481Ia 450 991081645060332120240405061904.0(CKB)1000000000254552(EBL)179541(OCoLC)271832508(MiAaPQ)EBC179541(Au-PeEL)EBL179541(CaPaEBR)ebr10165905(CaONFJC)MIL7213(EXLCZ)99100000000025455219950412d1996 uy 0engur|n|---|||||txtrdacontentcrdamediacrrdacarrierThe dream that kicks[electronic resource] the prehistory and early years of cinema in Britain /Michael Chanan2nd ed.London ;New York Routledge19961 online resource (256 p.)Description based upon print version of record.0-415-11750-X Includes bibliographical references and index.Book Cover; Title; Contents; Author's note (first edition); Preface to the second edition; Acknowledgements; The site of film; The sight of film; The conditions of invention; Theories of perception; Photographic development; Patent business; Celluloid muse; The production of consumption; Music hall and popular culture; Culture and politics in the middle classes; Market competition and industrial growth; The foundations of the film idiom; Epilogue: The dream that kicks; Bibliography; IndexThe Dream the Kicks is a classic account of the prehistory and early years of cinema in Britain. In this new paperback edition, which has been thoroughly revised to take into account recent scholarship of early cinema, Michael Chanan provides a fasciniating account of the rich and hitherto hidden history of the origins of film. Chanan demonstrates that the theory of `the persistence of vision', which led to the invention of moving pictures, has been superceded by modern scientific findings. In its place, he puts forward a theory of invention as a type of bricolage, and shMotion picturesGreat BritainHistoryCinematographyHistoryMotion picturesHistory.CinematographyHistory.791.430941Chanan Michael702112MiAaPQMiAaPQMiAaPQBOOK9910816450603321The dream that kicks4076234UNINA