02419nam 22005654a 450 991081642910332120200520144314.01-282-48530-X1-60473-147-8(CKB)1000000000484970(EBL)515660(OCoLC)220842772(SSID)ssj0000219182(PQKBManifestationID)11199990(PQKBTitleCode)TC0000219182(PQKBWorkID)10229156(PQKB)10417672(Au-PeEL)EBL515660(CaPaEBR)ebr10218390(CaONFJC)MIL248530(MiAaPQ)EBC515660(EXLCZ)99100000000048497020060412d2007 ub 0engurcn|||||||||txtccrPearl Harbor jazz change in popular music in the early 1940s /Peter Townsend1st ed.Jackson University Press of Mississippi20071 online resource (267 p.)Description based upon print version of record.1-57806-924-6 Includes bibliographical references (p. 239-244) and index.Sunday matinee in St. Louis -- The war -- The alley -- The road -- Disorder at the border -- The avenue -- The street -- Postscript : Black, Brown, and Beige.This book is a study of a crucial period in the life of American jazz and popular music. Pearl Harbor Jazz analyses the changes in the world of the professional musician brought about both by the outbreak of World War II and by long-term changes in the music business, in popular taste and in American society itself. It describes how the infrastructure of American music, the interdependent fields of recording, touring, live engagements, radio and the movies, was experiencing change in the conditions of wartime, and how this impacted upon musical styles, and hence upon the later history ofJazz1941-1950History and criticismJazzSocial aspectsUnited StatesJazzHistory and criticism.JazzSocial aspects781.650973/09044Townsend Peter1948-1613776MiAaPQMiAaPQMiAaPQBOOK9910816429103321Pearl Harbor jazz3943240UNINA