03788nam 2200541 450 991081614570332120230126220342.01-4773-1280-310.7560/312780(CKB)3790000000539313(MiAaPQ)EBC5181669(DE-B1597)588085(DE-B1597)9781477312803(EXLCZ)99379000000053931320180110h20182018 uy 0engurcnu||||||||rdacontentrdamediardacarrierTropical travels Brazilian popular performance, transnational encounters, and the construction of race /Lisa ShawAustin, Texas :University of Texas Press,2018.©20181 online resource (246 pages) illustrations1-4773-1278-1 Includes bibliographical references and index.Afro-Brazilian performance on Rio de Janeiro's popular stages from the 1880s to the long 1920s -- The Rio de Janeiro-Paris performance axis in the first decades of the 20th century : Duque, the Oito Batutas, and the question of "race" -- The Teatro de Revista in Rio de Janeiro in the long 1920s : transnational dialogues and cosmopolitan black performance -- The cultural migrations of the stage and screen baiana, 1889/1950s.Brazilian popular culture, including music, dance, theater, and film, played a key role in transnational performance circuits—inter-American and transatlantic—from the latter nineteenth century to the middle of the twentieth century. Brazilian performers both drew inspiration from and provided models for cultural production in France, Portugal, Argentina, the United States, and elsewhere. These transnational exchanges also helped construct new ideas about, and representations of, “racial” identity in Brazil. Tropical Travels fruitfully examines how perceptions of “race” were negotiated within popular performance in Rio de Janeiro and how these issues engaged with wider transnational trends during the period. Lisa Shaw analyzes how local cultural forms were shaped by contact with imported performance traditions and transnational vogues in Brazil, as well as by the movement of Brazilian performers overseas. She focuses specifically on samba and the maxixe in Paris between 1910 and 1922, teatro de revista (the Brazilian equivalent of vaudeville) in Rio in the long 1920s, and a popular Brazilian female archetype, the baiana, who moved to and fro across national borders and oceans. Shaw demonstrates that these transnational encounters generated redefinitions of Brazilian identity through the performance of “race” and ethnicity in popular culture. Shifting the traditional focus of Atlantic studies from the northern to the southern hemisphere, Tropical Travels also contributes to a fuller understanding of inter-hemispheric cultural influences within the Americas.Performing artsBrazilHistory19th centuryPerforming artsBrazilHistory20th centuryPopular cultureSocial aspectsBrazilHistoryBlack peopleRace identityBrazilPerforming artsBrazilAfrican influencesBrazilRace relationsPerforming artsHistoryPerforming artsHistoryPopular cultureSocial aspectsHistory.Black peopleRace identityPerforming artsAfrican influences.792.0981Shaw Lisa1966-1151864MiAaPQMiAaPQMiAaPQBOOK9910816145703321Tropical travels4038864UNINA