04193nam 2200529 450 991081585190332120230126223253.00-253-02655-5(CKB)4340000000193708(OCoLC)964353454(MdBmJHUP)muse57564(Au-PeEL)EBL4935919(CaPaEBR)ebr11420854(CaONFJC)MIL1024734(MiAaPQ)EBC4935919(EXLCZ)99434000000019370820170824h20172017 uy 0engurcnu||||||||rdacontentrdamediardacarrierCosmopolitan film cultures in Latin America, 1896-1960 /edited by Rielle Navitski and Nicolas PoppeBloomington, Indiana :Indiana University Press,2017.©20171 online resource (391 pages)New Directions in National CinemasIncludes index.0-253-02646-6 0-253-02572-9 Includes bibliographical references and index.Introduction -- The silent era: between global capitalism and national modernization. primary text: "The Lumiere Cinematograph," El monitor republicano (Mexico City), August 16, 1896. Gabriel Veyre and Fernand Bon Bernard, representatives of the Lumiere brothers in Mexico / Aurelio de los Reyes -- Primary text: Tic tac (Carlos Villafañe), "the show on June 15th," Películas Bogotá), June 1919 -- Films on paper: early Colombian cinema periodicals, 1916-1920 / Juan Sebastián Ospina León -- Primary text: Enrique Mendez Calzada, "The lover of Rudolph Valentino" from And Christ returned to Buenos Aires (1926) -- Manipulation and authenticity: the unassimilable Valentino in 1920's Argentina / Giorgio Bertellini -- The interwar period: between Hollywood and the avant-garde. Primary text: Felipe de Leiva, "Memoirs of an extra," Cinelandia, (Hollywood) November/December 1927 -- Mediating the 'conquering and cosmopolitan cinema:' Latin American audiences and U.S. film magazines in Spanish, 1916-1948 / Rielle Navitski -- Primary text: Octávio de Faria, "Russian cinema and Brazilian cinema," O Fan (Rio de Janeiro), October 2, 1928 -- Parallel modernities: the first reception of Soviet cinema in Latin America / Sarah Ann Wells -- Primary text: Guillermo de Torre, "The Cineclub of Buenos Aires," La Gaceta Literaria (Madrid), April 1, 1930 -- A gaze turned towards Europe: modernity and tradition in the work of Horacio Coppola / Andrea Cuarterolo -- The golden age of Latin American film industries: negotiating the popular and the cosmopolitan. Primary text: John Alton, "Motion picture production in South America," International Photographer (Hollywood), May 1934 -- John Alton in Argentina, 1932-1939 / Nicolas Poppe -- The golden age otherwise: Mexican cinema and the mediations of capitalist modernity in the 1940's and 1950's / Ignacio M. Sánchez Prado -- Primary text: Gabriel García Márquez, "The mambo" El Heraldo (Barranquilla), January 12, 1951 -- Bad neighbors: Perez Prado, cinema and the politics of Mambo / Jason Borge -- The afterlives of moving images: cinephilia and cult spectatorship. Primary text: Thomas E. Sibert, "Fox Film de Cuba, S.A.'s continuing competition for scholarships to summer school at the Universidad de la Habana" (1956) -- Film culture and education in Republican Cuba: the legacy of Jose Manuel Valdes-Rodríguez / Irene Rozsa -- The secret history of Aztlán: transnational exploitation film, Chicano art and unexpected cultural flows / Colin Gunckel.New directions in national cinemas.Motion picturesLatin AmericaHistory20th centuryMotion picturesSocial aspectsLatin AmericaMotion picturesHistoryMotion picturesSocial aspects791.43098/0904Navitski RiellePoppe NicolasMiAaPQMiAaPQMiAaPQBOOK9910815851903321Cosmopolitan film cultures in Latin America, 1896-19604090355UNINA