02833nam 2200625 450 991081551740332120220525233341.00-8108-9240-50-8108-9242-1(CKB)2550000001164420(EBL)1486332(OCoLC)861559457(SSID)ssj0001040291(PQKBManifestationID)12364792(PQKBTitleCode)TC0001040291(PQKBWorkID)11001529(PQKB)10995400(MiAaPQ)EBC1486332(Au-PeEL)EBL1486332(CaPaEBR)ebr10786738(CaONFJC)MIL546406(EXLCZ)99255000000116442020131024h20132013 uy 0engur|n|---|||||txtccrComposing for the cinema the theory and praxis of music in film /Ennio Morricone and Sergio Miceli, translated by Gillian B. AndersonLanham :Scarecrow Press,[2013]©20131 online resource (311 p.)Description based upon print version of record.0-8108-9241-3 1-306-15155-4 Includes bibliographies and index.Contents; Translator's Note; Editor's Note; Acknowledgments; Abbreviations; 1 Introduction; 2 Audiovisual Analysis-Part 1; 3 Production Procedures; 4 Audiovisual Analysis-Part 2; 5 Premix and Final Mix; 6 Compositional Elements; 7 Questions and Answers; Appendix 1: Composing for the Cinema; Appendix 2: Writing for the Cinema; Filmography; Bibliography [to 1999]; Index; About the Authors and TranslatorWith nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. In Composing for the Cinema, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Drawing upon scores by himself and others, the composer also provides insight into his reComposition (Music)Motion picture musicInstruction and studyMotion picture musicComposition (Music)Motion picture musicInstruction and study.Motion picture music.781.54213Morricone Ennio1717027Anderson Gillian B.1943-1717028Miceli Sergio1944-40180MiAaPQMiAaPQMiAaPQBOOK9910815517403321Composing for the cinema4112777UNINA