02573nam 2200529 a 450 991081547140332120240313233318.00-8108-8507-7(CKB)2560000000102513(EBL)1213917(SSID)ssj0000890425(PQKBManifestationID)12446361(PQKBTitleCode)TC0000890425(PQKBWorkID)10887546(PQKB)11279001(MiAaPQ)EBC1213917(Au-PeEL)EBL1213917(CaPaEBR)ebr10719704(CaONFJC)MIL497869(OCoLC)851316094(EXLCZ)99256000000010251320120305d2012 uy 0engur|n|---|||||txtccrAltman and after multiple narratives in film /Peter F. Parshall1st ed.Lanham, Md. Scarecrow Press20121 online resource (264 p.)Description based upon print version of record.0-8108-8506-9 Includes bibliographical references and index.Introduction: the potential of complex narratives mosaic narrative -- Nashville: pitching songs and selling politicians network narrative -- Pulp Fiction pop culture's poster child -- Amores perros of dogs and rats and goats -- Code unknown -- Cinematic cryptogram -- The edge of heaven parallel paths database narrative -- Virgin stripped bare by her bachelors the end of idealism -- Run Lola run into the labyrinth of Berlin -- The double life of Véronique a haunting sense of connection -- Conclusion: tying up the threads -- Appendix: further complex narratives of interest.In Altman & After: Multiple Narratives in Film, Peter Parshall carefully examines films that feature various plotlines. In each chapter, Parshall looks at a different example of the multi-plot form, such as network narrative and the multiple-draft narrative, demonstrating that the structure of each is central to their artistry, and that these devices open up a variety of creative vistas. Films studied in this book include Nashville, <span style=""font-style:itaMotion picture playsHistory and criticismMotion picture playsHistory and criticism.791.43/6Parshall Peter F.1937-1704766MiAaPQMiAaPQMiAaPQBOOK9910815471403321Altman and after4090983UNINA