03208oam 22005052 450 991079531120332120190604181031.090-04-40772-310.1163/9789004407725(CKB)4970000000170169(MiAaPQ)EBC5884280(OCoLC)1120724427(nllekb)BRILL9789004407725(EXLCZ)99497000000017016920190531d2019 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierThinking bodies-shaping hands handeling in art and theory of the late Rembrandtists /Yannis HadjinicolaouLeiden Boston :BRILL,2019.1 online resource (377 pages)Studies in Netherlandish Art and Cultural History;volume1590-04-35384-4 Includes bibliographical references and index.Front Matter -- Copyright page -- Acknowledgements -- Figures -- Foreword /Werner Busch -- Introduction -- Between Formal and Stylistic Diversity – Handeling in the Art of the Late Rembrandtists -- Primacy of the Hand -- Art Materials -- Facets of Handling the Paint -- The Iconicity of Action -- Proximity and Distance -- Epilogue -- Notes -- Back Matter -- Bibliography -- Index of Names.Thinking Bodies - Shaping Hands focuses on the critical as well as historical dimension of the handling of the brush and of the resulting appearance of colour on the painted surface in art and art theory from the middle of the 17th (above all from 1660) to the dawn of the 18th century in the Netherlands. More specifically, it deals with Rembrandt’s last pupils such as Arent de Gelder. „Handeling” describes an active, embodied process that is connected to the motion of the hand with the brush or with any other kind of tool. This term, up to now not sufficiently appreciated in scholarly literature, seems to be fruitful in this context. It is not so much connected with the term „style”, as with a prior step, which is equivalent to „manner”. At the same time, its meaning in Dutch till today is „action”. „Handeling” is an act that could be described as a „form-act”. It focuses on Formgestaltung, in which these actions themselves are understood as processes. Examining the „Rembrandtist ideology of painting”, this study attempts to reveal the embodied process of painting in the sense of a bodily articulation during the application of colour. This occurs within the productive tension between theory and practice.Studies in Netherlandish Art and Cultural History;volume15.Painting, Dutch17th centuryBrushworkColor in artPaintingPhilosophyPainting, DutchBrushwork.Color in art.PaintingPhilosophy.759.949209032Hadjinicolaou Yannis1524256NL-LeKBNL-LeKBBOOK9910795311203321Thinking bodies-shaping hands3764995UNINA02300nam 2200577 450 991081541710332120200520144314.00-12-802731-20-12-802753-3(CKB)2670000000585903(EBL)1888756(OCoLC)900652367(SSID)ssj0001453313(PQKBManifestationID)11786017(PQKBTitleCode)TC0001453313(PQKBWorkID)11489999(PQKB)11055779(Au-PeEL)EBL1888756(CaPaEBR)ebr10999743(CaONFJC)MIL679364(CaSebORM)9780128027318(MiAaPQ)EBC1888756(EXLCZ)99267000000058590320150112h20152015 uy 0engur|n|---|||||txtccrHow to defeat advanced malware new tools for protection and forensics /Max, Dalziel1st editionWaltham, Massachusetts :Syngress,2015.©20151 online resource (54 p.)Description based upon print version of record.1-322-48082-6 Includes bibliographical references. <i><b>How to Defeat Advanced Malware </b></i>is a concise introduction to the concept of micro-virtualization. The book provides current facts and figures that prove detection- based security products have become ineffective. A simple strategy is then presented that both leverages the opportunities presented by Bring Your Own Device (BYOD) and protects enterprise end users against advanced malware. The book concludes with case studies demonstrating how hardware- isolated micro-VMs are helping Fortune 500 financial service providers defeat advanced malware. This book is primarily designed foComputer networksSecurity measuresMalware (Computer software)Computer networksSecurity measures.Malware (Computer software)005.8Dalziel Max1671405MiAaPQMiAaPQMiAaPQBOOK9910815417103321How to defeat advanced malware4033935UNINA