03009oam 2200745 a 450 991081533990332120161228114246.01-280-48687-297866135821020-472-02820-010.3998/mpub.3365636(CKB)3170000000046346(OCoLC)794493884(CaPaEBR)ebrary10556472(SSID)ssj0000601743(PQKBManifestationID)11409650(PQKBTitleCode)TC0000601743(PQKBWorkID)10566238(PQKB)11574144(MiAaPQ)EBC3415053(MdBmJHUP)muse9882(MiU)10.3998/mpub.3365636(Au-PeEL)EBL3415053(CaPaEBR)ebr10556472(CaONFJC)MIL358210(OCoLC)923505193(EXLCZ)99317000000004634620110919d2012 ub 0engurcn|||||||||txtccrPaul Robeson and the Cold War performance complex race, madness, activism /Tony PerucciAnn Arbor :University of Michigan Press,c2012.1 online resource (232 p.)Theater: theory/text/performanceBibliographic Level Mode of Issuance: Monograph0-472-07168-8 0-472-05168-7 Includes bibliographical references (p. 199-213) and index.Introduction: the red mask of sanity -- Tonal treason and HUAC's psychoanalytic theater. Black performances and the stagecraft of statecraft -- Performing, informing, and shrieking innocence: surveillance, informance, and the performance of performance -- Discordant tones and the melody of freedom at Peekskill -- Anticommunism and the American lynching imagination -- Shedding blood and beating back fascists -- Staging anticommunism, staging racist violence -- Coda: the complex and the rupture.Theater--text/theory/performance.Performance artPolitical aspectsUnited StatesFreedom and artPolitical aspectsUnited StatesPolitics and cultureUnited StatesCold WarSocial aspectsUnited StatesRacismUnited StatesHistory20th centuryAnti-communist movementsUnited StatesHistory20th centuryUnited StatesRace relationsPerformance artPolitical aspectsFreedom and artPolitical aspectsPolitics and cultureCold WarSocial aspectsRacismHistoryAnti-communist movementsHistory782.0092Perucci Tony1699300Michigan Publishing (University of Michigan)MiUMiUBOOK9910815339903321Paul Robeson and the Cold War performance complex4081430UNINA