02637nam 2200625 a 450 991081488610332120240516090846.01-283-21388-597866132138840-8108-8135-7(CKB)2550000000042721(EBL)741752(OCoLC)750174741(SSID)ssj0000540209(PQKBManifestationID)12166244(PQKBTitleCode)TC0000540209(PQKBWorkID)10581271(PQKB)11536073(MiAaPQ)EBC741752(Au-PeEL)EBL741752(CaPaEBR)ebr10490773(CaONFJC)MIL321388(EXLCZ)99255000000004272120110225d2011 uy 0engur|n|---|||||txtccrPost-9/11 cinema through a lens darkly /John Markert1st ed.Lanham, Md. Scarecrow Press, Inc.20111 online resource (393 p.)Description based upon print version of record.0-8108-8134-9 Includes bibliographical references and index.Introduction -- Cinema simplicity : heroes and villains -- The cinematic dialectic : movies begin to debate the war(s) -- The dialectic rages on : documentary films 2006-2010 -- Fictional features belatedly appear -- Conclusion.Covering cinematic portrayals of 9/11 and the subsequent incursions into Iraq and Afghanistan, Post-9/11 Cinema: Through a Lens Darkly examines both dramas and documentaries that depict what some have termed ""Bush's war,"" as well as rebuttal films, films about terrorist activities, and films seen from the vantage point of journalists and military personnel. This book not only shows how motion pictures reflect societal values but also how such works can influence social attitudes and thMotion picturesUnited StatesHistory21st centuryMotion picturesPolitical aspectsUnited StatesWar filmsUnited StatesHistory and criticismSeptember 11 Terrorist Attacks, 2001InfluenceMotion picturesHistoryMotion picturesPolitical aspectsWar filmsHistory and criticism.September 11 Terrorist Attacks, 2001Influence.791.43/658Markert John1945-1676272MiAaPQMiAaPQMiAaPQBOOK9910814886103321Post-94042366UNINA