02783nam 2200601 450 991081481040332120230803220826.00-8093-3299-X(CKB)2550000001193999(EBL)1598118(SSID)ssj0001112071(PQKBManifestationID)11639760(PQKBTitleCode)TC0001112071(PQKBWorkID)11157389(PQKB)10423395(MiAaPQ)EBC1598118(OCoLC)868580525(MdBmJHUP)muse34637(Au-PeEL)EBL1598118(CaPaEBR)ebr10829389(CaONFJC)MIL568273(OCoLC)868964479(EXLCZ)99255000000119399920140130h20142014 uy 0engur|n|---|||||txtccrFrom Chariots of fire to the king's speech writing biopics and docudramas /Alan RosenthalCarbondale, Illinois :Southern Illinois University Press,2014.©20141 online resource (214 p.)Description based upon print version of record.0-8093-3298-1 Includes bibliographical references and index.Introduction -- Clearing your head. The popular genre -- What is docudrama? -- Choosing a dynamic subject -- Starting to work. Research -- The dramatic elements -- Shaping the film -- From treatment to full script. The outline treatment -- Writing dialogue and narration -- Beginning your script -- Special considerations. Adaptations -- Print the legend? -- Rights and legal issues -- Afterword.Over the past decade, movie audiences have become hungry for films based on real people and historical events. Never was this more evident than during the best-picture showdown between The King's Speech and The Social Network during the 2011 Academy Awards, a scene then repeated, with Argo, Lincoln and Zero Dark Thirty in the 2013 awards.. While Hollywood moguls have come to recognize the box-office revenue and critical acclaim that accompany such films and are now fast-tracking many docudramas into theaters, there remains a need for more reality-based film scrMotion picture authorshipBiographical dramaAuthorshipHistorical dramaAuthorshipMotion picture authorship.Biographical dramaAuthorship.Historical dramaAuthorship.808.23Rosenthal Alan551860MiAaPQMiAaPQMiAaPQBOOK9910814810403321From Chariots of fire to the king's speech3925085UNINA