02572nam 2200529 450 991081478670332120230803035015.01-4081-1652-91-4742-6102-71-4081-4968-0(CKB)3710000000128603(EBL)1715656(MiAaPQ)EBC1715656(Au-PeEL)EBL1715656(CaPaEBR)ebr10883873(CaONFJC)MIL618578(OCoLC)881607271(MiAaPQ)EBC6163038(EXLCZ)99371000000012860320140626e20132004 uy 0engur|n|---|||||rdacontentrdamediardacarrierSinging and the actor /Gillyanne KayesSecond edition.London, England ;New York, New York :Bloomsbury Methuen Drama,2013.©20041 online resource (209 p.)Includes indexes.1-306-87327-4 0-7136-6823-7 Cover; Contents; Acknowledgements; Foreword; Section 1: HOW THE VOICE WORKS; 1 How do I make the notes?; 2 My voice won''t come out at auditions; 3 But I thought I wasn''t supposed to feel anything!; 4 What exactly is support?; Section 2: TRAINING YOUR VOICE; 5 Developing the three octave siren; 6 The nasal port; 7 Dynamic control and projection; 8 Tuning the oral resonator; 9 Twang, the singer''s formant; Section 3: WORKING THE TEXT; 10 Putting it together; 11 Singing the text; 12 Creating voice qualities; 13 The act of singing; Afterword; Glossary; A; B; C; F; G; H; I; L; M; N; O; P; R; SVList of exercises and song assignments; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; Index of song titles<P>Classical singing training is no longer relevant for the theatre performer today. So how does an actor train his singing voice? </P> <P>Now in its second edition, this practical handbook takes the reader through <B>a step-by-step training programme relevant to the modern singing actor and dancer</B>. A variety of contemporary voice qualities including belting and twang are explained, with exercises for each topic. </P>SingingInstruction and studySingingInstruction and study.783Kayes Gillyanne907840MiAaPQMiAaPQMiAaPQBOOK9910814786703321Singing and the actor4045232UNINA