02256nam 2200541 a 450 991081450300332120200520144314.00-231-85012-3(CKB)2670000000234502(EBL)927992(OCoLC)818857838(SSID)ssj0000738545(PQKBManifestationID)12257043(PQKBTitleCode)TC0000738545(PQKBWorkID)10792901(PQKB)10050362(MiAaPQ)EBC927992(Au-PeEL)EBL927992(CaPaEBR)ebr10587558(CaONFJC)MIL685125(EXLCZ)99267000000023450220120823d2009 uy 0engur|n|---|||||txtccrNew Korean cinema breaking the waves /Darcy PaquetLondon ;New York Wallflowerc20091 online resource (145 p.)Short cutsDescription based upon print version of record.1-906660-25-5 Includes bibliographical references and index.Contents; Acknowledgments; Introduction; 1 A New Society; 2 A New Film Industry; 3 The Boom; 4 New Ambitions; 5 Conclusion; Filmography; Bibliography; IndexNew Korean Cinema charts the dramatic transformation of South Korea's film industry from the democratization movement of the late 1980s to the 2000s new generation of directors. The author considers such issues as government censorship, the market's embrace of Hollywood films, and the social changes which led to the diversification and surprising commercial strength of contemporary Korean films. Directors such as Hong Sang-soo, Kim Ki-duk, Park Chan-wook, and Bong Joon-ho are studied within their historical context together with a range of films including Sopyonje (1993), Peppermint CandyShort cuts (London, England)Motion picturesKoreaMotion pictures791.4309519Paquet Darcy1593879MiAaPQMiAaPQMiAaPQBOOK9910814503003321New Korean cinema3914214UNINA