04961nam 22012011 450 991081442830332120211014030641.00-520-93126-21-306-07360-X10.1525/9780520931268(CKB)3710000000055097(EBL)1513947(SSID)ssj0001192938(PQKBManifestationID)11673329(PQKBTitleCode)TC0001192938(PQKBWorkID)11126662(PQKB)10850637(SSID)ssj0000682049(PQKBManifestationID)12313426(PQKBTitleCode)TC0000682049(PQKBWorkID)10678417(PQKB)11236370(DE-B1597)519051(OCoLC)1110707736(DE-B1597)9780520931268(Au-PeEL)EBL1513947(CaPaEBR)ebr10793607(CaONFJC)MIL538611(OCoLC)862374299(MiAaPQ)EBC1513947(PPN)183546288(EXLCZ)99371000000005509719851111h20052005 uy 0engurnn#---|u||utxtccrWhat is cinema?Volume 2 /by André Bazin ; foreword by François Truffaut ; new foreword by Dudley Andrew ; essays selected and translated by Hugh GrayBerkeley :University of California Press,[2005]©20051 online resource (314 p.)Description based upon print version of record.0-520-02034-0 0-520-24228-9 Includes bibliographical references and index.Front matter --FOREWORD --INTRODUCTION --AN AESTHETIC OF REALITY: NEOREALISM --LA TERRA TREMA --BICYCLE THIEF --DE SICA: METTEUR EN SCENE --UMBERTO D: A GREAT WORK --CABIRIA: THE VOYAGE TO THE END OF NEOREALISM --IN DEFENSE OF ROSSELLINI --THE MYTH OF MONSIEUR VERDOUX --LIMELIGHT, OR THE DEATH OF MOLIERE --THE GRANDEUR OF LIMELIGHT --THE WESTERN: OR THE AMERICAN FILM PAR EXCELLENCE --THE EVOLUTION OF THE WESTERN --ENTOMOLOGY OF THE PIN-UP GIRL --THE OUTLAW --MARGINAL NOTES ON EROTICISM IN THE CINEMA --SOURCES AND TRANSLATOR'S NOTES --INDEXAndré Bazin's What Is Cinema? (volumes I and II) have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism. Although Bazin made no films, his name has been one of the most important in French cinema since World War II. He was co-founder of the influential Cahiers du Cinéma, which under his leadership became one of the world's most distinguished publications. Championing the films of Jean Renoir (who contributed a short foreword to Volume I), Orson Welles, and Roberto Rossellini, he became the protégé of François Truffaut, who honors him touchingly in his foreword to Volume II. This new edition includes graceful forewords to each volume by Bazin scholar and biographer Dudley Andrew, who reconsiders Bazin and his place in contemporary film study. The essays themselves are erudite but always accessible, intellectual, and stimulating. As Renoir puts it, the essays of Bazin "will survive even if the cinema does not."Motion picturesPerforming artsauteur.bazin.cahiers du cinema.chaplin.cinema and screen.cinema.citizen kane.critical theory.cultural studies.digital film.directors.editing.eroticism.fellini.film and animation.film cinematography.film criticism.film genre.film history.film literature.film movements.film studies.film technique.film theory.film.filmmaking.french cinema.image culture.jean renoir.literary studies.mass media.media.neorealism.nonfiction.orson welles.roberto rossellini.surrealism.truffaut.visual culture.Motion pictures.Performing arts.791.43Bazin André1918-1958.382106Andrew Dudley1945-532928Gray Hugh1900-1981.1012984Truffaut François387602MiAaPQMiAaPQMiAaPQBOOK9910814428303321What is cinema2353918UNINA