02811nam 2200661Ia 450 991081442150332120240418082723.00-472-02963-010.3998/mpub.3091522(CKB)2550000001107265(EBL)3570483(SSID)ssj0001074154(PQKBManifestationID)11569007(PQKBTitleCode)TC0001074154(PQKBWorkID)11212686(PQKB)10026135(MiAaPQ)EBC3570483(MiU)10.3998/mpub.3091522(Au-PeEL)EBL3570483(CaPaEBR)ebr10740002(CaONFJC)MIL507635(OCoLC)932325310(EXLCZ)99255000000110726520110420d2013 ub 0engur|n|---|||||txtccrAmerican poetry in performance from Walt Whitman to hip hop /Tyler Hoffman1st pbk. ed.Ann Arbor :University of Michigan Press,2013.1 online resource (282 p.)Description based upon print version of record.0-472-03552-5 1-299-76384-7 Includes bibliographical references and index.""Acknowledgments""; ""Contents""; ""Introduction""; ""Chapter 1 - Walt Whitman "Live": Performing the Public Sphere""; ""Chapter 2 - The Ordeal of Vachel Lindsay, or The Cultural Politics of the Spoken Word""; ""Chapter 3 - " The Black Man Speaks": Langston Hughes, the New Negro, and the Sounds of Citizenship""; ""Chapter 4 - Beat Acoustics, Presence, and Resistance""; ""Chapter 5 - "Rappin' and Readin' ": The Frequencies of the Black Arts""; ""Chapter 6 - Slam Nation: Immediacy, Mediatization, and the Counterpublic Sphere""; ""Afterword""; ""Notes""; ""Index""Performance poetry, identity, and nationality throughout American history.Performance poetryUnited StatesHistory and criticismOral interpretation of poetryAmerican poetryHistory and criticismAmerican poetryAfrican American authorsHistory and criticismPoetry slamsUnited StatesHistoryPerformance poetryHistory and criticism.Oral interpretation of poetry.American poetryHistory and criticism.American poetryAfrican American authorsHistory and criticism.Poetry slamsHistory.811Hoffman Tyler1709599Michigan Publishing (University of Michigan)MiUMiUBOOK9910814421503321American poetry in performance4099454UNINA