04726oam 2200769M 450 991081437650332120230422044353.01-135-57597-51-135-57598-30-203-90528-81-280-40748-40-203-90652-7(CKB)1000000000255113(EBL)170343(OCoLC)52127148(SSID)ssj0000221920(PQKBManifestationID)11172876(PQKBTitleCode)TC0000221920(PQKBWorkID)10162603(PQKB)11371536(MiAaPQ)EBC170343(Au-PeEL)EBL170343(CaPaEBR)ebr10054216(CaONFJC)MIL40748(OCoLC)437078817(OCoLC)503047274(OCoLC-P)437078817(FlBoTFG)9780203905289(EXLCZ)99100000000025511320090817d2000 uy 0engurmn|---|||||txtccrPinter ethic the erotic aesthetic2nd ed.London Routledge20001 online resource (569 p.)Garland reference library of the humanities ;v. 2237.Studies in modern drama ;v. 3Originally published: 1994.0-8153-3886-4 0-8153-3909-7 Includes bibliographical references (p. 421-439) and indexes.Book Cover; Title; Contents; General Editor's Note; Preface; The Pinter Ethic: Overview; Harold Pinter: Biography; Introduction to the Second Edition: ~Fought Against Savage and Pitiless Odds~; Introduction: Pinter's Achievement; Form and Innovation; The Dumb Waiter: Toward A Definitionof the Pinter Ethic; Paradigmatic Dramatization of Conflict; The Birthday Party: Choice, Action and Responsibility; The Pinter Ethic Defined; The Room and The Revue Sketches: The Ethic in the Early Work; Dominance and Destruction; A Slight Ache as Fulcrum: Leveling Dominant and Subservient RolesThe Triumph of Vitality And TruthA Night Out: Vitality Vitiated; The Hothouse: Madness and Violence; The Caretaker: Dominance and Subservience Equated; The Human Connection; Night School: Possible Justice Without Love; The Dwarfs: Dominance as Betrayal; The Servant: Paradigmatic Powerplays; The Collection and The Lover: Identity Gained by Deliberate Pretense; The Pumpkin Eater: Married Love and Justice; The Homecoming: Dominance, Choice and the Ethic Revised; The Quiller Memorandum: Torture without Threat; Tea Party And The Basement: The Illusive Qualities of PowerAccident: Death, Desire, and BirthLandscape, Silence And Night: Where Powerplays Vanish; The Go-Between: Freedom Reborn; Old Times: Triple Dominance; Langrishe, Go Down, La Recherche Du Temps Perdu: The Proust Screenplay, and Monologue: Remembrances of Things Past; No Man's Land: Past Dominance Regained; The French Lieutenant's Woman and The Last Tycoon: Love Gained and Lost; Betrayal: The Past Regained; Precisely And Family Voices: Lovedeath; A Kind of Alaska: Identity Unresolved; Victoria Station: Love And Power Revisited; One For The Road: The End of the RoadMountain Language: Torture RevisitedTurtle Diary, Victory, The Handmaid's Tale, Reunion, The Heat of the Day, The Comfort of Strangers, The Remains of the Day, and The Trial: The Screenplays of the 1980's and Early 1990's; The Comfort Of Strangers: Love and Justice; Party Time and The New World Order: Love and Justice Revisited; Moonlight: Lovedeath Wedded; Ashes to Ashes, The Dreaming Child, and Celebration: Desire, Destruction, Responsibility and the Complicity of Women; Some Conclusions on Love, Justice and Power in the Pinter Ethic: The Public Consequence of Private ActsSelect BibliographyIndexThe only comprehensive guide to the plays of one of the world's greatest yet most puzzling contemporary dramatists.Garland reference library of the humanities ;v. 2237.Garland reference library of the humanities.Studies in modern drama ;v. 3.Didactic drama, EnglishHistory and criticismEthics in literatureLove in literatureSex in literatureDidactic drama, EnglishHistory and criticism.Ethics in literature.Love in literature.Sex in literature.822/.914Prentice Penelope687879OCoLC-POCoLC-PBOOK9910814376503321Pinter ethic1232235UNINA