02995nam 2200709Ia 450 991081434540332120200520144314.01-134-00871-61-134-00872-41-282-44395-X97866124439540-203-88079-X10.4324/9780203880791(CKB)2550000000001441(EBL)465606(OCoLC)502240452(SSID)ssj0000342647(PQKBManifestationID)11304581(PQKBTitleCode)TC0000342647(PQKBWorkID)10288859(PQKB)10329872(MiAaPQ)EBC465606(Au-PeEL)EBL465606(CaPaEBR)ebr10358724(CaONFJC)MIL244395(OCoLC)647838791(FINmELB)ELB161972(EXLCZ)99255000000000144120090707d2010 uy 0engur|n|---|||||txtccrThe scene of violence cinema, crime, affect /Alison Young1st ed.New York, NY Routledge20101 online resource (196 p.)"A GlassHouse book."0-415-58508-2 0-415-49071-5 Includes bibliographical references and index.Book Cover; Title; Copyright; Contents; List of illustrations; Acknowledgements; Chapter 1 The crime-image; Chapter 2 Judging the affect of cinematic violence; Chapter 3 'Don't you fucking look at me!': Rape and cinematic revenge; Chapter 4 The serial killer's accomplice; Chapter 5 The cinema of disaster: Screening 9/11; Chapter 6 No end to violence?; References; IndexIn the contemporary fascination with images of crime, violence gets under our skin and keeps us enthralled. The Scene of Violence explores the spectator's encounter with the cinematic scene of violence - rape and revenge, homicide and serial killing, torture and terrorism. Providing a detailed reading of both classical and contemporary films - for example, Kill Bill, Blue Velvet, Reservoir Dogs, The Matrix, Psycho, The Accused, Elephant, Seven, Thelma & Louise, United 93, Zodiac, and No Country for Old Men - Alison Young returns the affective processes of the cineViolence in motion picturesCrime filmsHistory and criticismMotion picturesPsychological aspectsMotion picture audiencesPsychologyViolence in motion pictures.Crime filmsHistory and criticism.Motion picturesPsychological aspects.Motion picture audiencesPsychology.791.436554791.436556Young Alison198054MiAaPQMiAaPQMiAaPQBOOK9910814345403321The scene of violence4126083UNINA