02230nam 2200625 450 991081434370332120230807201929.00-8156-5349-2(CKB)3710000000513906(EBL)4649063(SSID)ssj0001581831(PQKBManifestationID)16259050(PQKBTitleCode)TC0001581831(PQKBWorkID)14790225(PQKB)11144790(MiAaPQ)EBC4649063(OCoLC)928978171(MdBmJHUP)muse47092(Au-PeEL)EBL4649063(CaPaEBR)ebr11249947(CaONFJC)MIL946918(EXLCZ)99371000000051390620160906h20152015 uy 0engur|n|---|||||txtccrPostcolonial overtures the politics of sound in contemporary Northern Irish poetry /Julia C. ObertFirst edition.Syracuse, New York :Syracuse University Press,2015.©20151 online resource (252 p.)Postcolonial OverturesDescription based upon print version of record.0-8156-3400-5 Includes bibliographical references and index.Of homing refrains -- Ciaran Carson: sounding the city -- Ciaran Carson: from song to stutter -- Derek Mahon: bearing earwitness -- Derek Mahon: a "politics of frequency" -- Paul Muldoon: becoming opera -- Paul Muldoon: poetic sonography -- Coda: "the new north".Irish StudiesEnglish poetryIrish authorsHistory and criticismEnglish poetry20th centuryHistory and criticismSound in literatureNorthern IrelandIn literatureEnglish poetryIrish authorsHistory and criticism.English poetryHistory and criticism.Sound in literature.821/.9109357Obert Julia C.1724194MiAaPQMiAaPQMiAaPQBOOK9910814343703321Postcolonial overtures4126069UNINA