02520nam 2200565Ia 450 991081417230332120240313160415.01-78320-049-9(CKB)2670000000341246(EBL)1133311(OCoLC)830167297(SSID)ssj0000942332(PQKBManifestationID)11474038(PQKBTitleCode)TC0000942332(PQKBWorkID)10972110(PQKB)10967083(MiAaPQ)EBC1133311(Au-PeEL)EBL1133311(CaPaEBR)ebr10667135(CaONFJC)MIL884486(EXLCZ)99267000000034124620130314d2013 uy 0engur|n|---|||||txtccrNanoart the immateriality of art /Paul Thomas1st ed.Bristol. UK ;Chicago Intellect20131 online resource (146 p.)Description based upon print version of record.1-84150-708-3 Cover; Half Title; Title; Copyright; Contents; Foreword; Introduction; Chapter 1: Materiality and Immateriality of Art in the Age of Nanotechnology; Chapter 2: From Seeing to Touching: From the Invisible to the Visible; Chapter 3: Nanotechnology, Vibration and Vitalism; Chapter 4: Matter, Measurement and Light; Chapter 5: Transvitalism and Nature; References; Acknowledgements; Index; Author biography; Back CoverNano is Greek for dwarf and the word nanotechnology 'was first proposed in the early seventies by a Japanese engineer, Norio Taniguchi, implying a new technology that went beyond controlling materials and engineering on the micrometer scale that dominated the 20th Century'. The content for this book has been based on a self-emergent process. It explores an art historical understanding of matter and uses various hypotheses to elucidate the effects on materiality and agency as a result of the emergence of nanotechnology. The blurring of material boundaries are reflected in the establishment of aArt and scienceArt and technologyNanotechnologyArt and science.Art and technology.Nanotechnology.701.03Thomas Paul387560MiAaPQMiAaPQMiAaPQBOOK9910814172303321Nanoart4050289UNINA