05093nam 2200661 450 991081413980332120210623190515.00-86196-906-5(CKB)3710000000411260(EBL)2042367(SSID)ssj0001481879(PQKBManifestationID)12485450(PQKBTitleCode)TC0001481879(PQKBWorkID)11501732(PQKB)10354301(OCoLC)607716657(MdBmJHUP)muse47616(Au-PeEL)EBL2042367(CaPaEBR)ebr11054749(OCoLC)908671670(MiAaPQ)EBC2042367(EXLCZ)99371000000041126020150527h20152015 uy 0engurcnu||||||||txtrdacontentstirdacontentcrdamediacrrdacarrierExperimental film and video an anthology /edited by Jackie Hatfield ; picture editor, Stephen LittmanNew Bernet, Herts, [England] :John Libbey Publishing,2015.©20151 online resource (xvii, 283 pages) illustrations (some color)Description based upon print version of record.0-86196-664-3 Includes bibliographical references.Section IPhilosophies and Critical Histories of Avant-Garde Film and Current Practice1 --Chapter 1Post Future Past Perfect /Grahame Weinbren3 --Chapter 2Matter's Time Time For Material /Peter Gidal18 --Chapter 3Films and Installations -- A Systems View of Nature /Chris Welsby26 --Chapter 4A Line Through My Work /Nicky Hamlyn36 --Chapter 5A Few Notes on Filmmaking /Jayne Parker47 --Chapter 6Film Noise Aesthetics /Rob Gawthrop53 --Chapter 7Line Describing a Cone and Related Films /Anthony McCall61 --Section IILanguages of Representation in Film and Video: Thresholds of Materiality75 --Chapter 8Trilogical Distractions /Lis Rhodes77 --Chapter 9The 'autoethnographic' in Chantal Akerman's News from Home, and an Analysis of Almost Out and Stages of Mourning /Sarah Pucill83 --Chapter 10Film, The Body, The Fold An Interview with Nina Danino on Now I Am Yours /Nina Danino, Susanna Poole93 --Chapter 11Attitudes 1-8 /Katherine Meynell102 --Chapter 12Video Works 1973-1983 /David Critchley107 --Chapter 13Early Video Tapes 1978-1987 /Chris Meigh-Andrews113 --Chapter 14Andrew Kotting. What he does, how he does it and the context in which it has been done: An Alphabetarium of Kotting /Gareth Evans, Andrew Kotting126 --Chapter 15Ardent for Some Desperate Glory: Revisiting Smothering Dreams /Daniel Reeves137 --Chapter 16War Stories, or Why I Make Videos About Old Soldiers /Cate Elwes151 --Chapter 17Moving Parts: The Divergence of Practice /Vicky Smith163 --Section IIIPhilosophies and Critical Histories of Video Art to Cinema169 --Chapter 18Mutation on a Form /Karen Mirza, Brad Butler171 --Chapter 19Video: Incorporeal, Incorporated /Stephen Partridge180 --Chapter 20Tamara Krikorian -- Defending the Frontier /Cate Elwes190 --Chapter 21Another Place -- David Hall /Jackie Hatfield200 --Chapter 22Alchemy and the Digital Imaginary /David Larcher, interviewed by Stephen Littman212 --Chapter 23Reflections on My Practice and Media Specificity /Malcolm Le Grice220 --Chapter 24Expanded Cinema -- Proto, Post-Photo /Jackie Hatfield237 --Chapter 25Image Con Text (1978-2003): Film/Performance/Video/Digital /Mike Leggett246 --Section IVImages263.The past 40 years of technological innovation have significantly altered the materials of production and revolutionized the possibilities for experiment and exhibition. Not since the invention of film has there been such a critical period of major change in the imaging technologies accessible to artists. Bringing together key artists in film, video, and digital media, the anthology of Experimental Film and Video revisits the divergent philosophical and critical discourses of the 1970's and repositions these debates relative to contemporary practice. Forty artists have contributed images, and 25Experimental filmsHistory and criticismVideo artPERFORMING ARTSFilm & VideoHistory & CriticismbisacshExperimental filmsfast(OCoLC)fst00918452Video artfast(OCoLC)fst01166389Experimental filmsHistory and criticism.Video art.PERFORMING ARTSFilm & VideoHistory & Criticism.Experimental films.Video art.791.43611Hatfield JackieLittman StephenMiAaPQMiAaPQMiAaPQBOOK9910814139803321Experimental Film and Video1703886UNINA