02911nam 2200625Ia 450 991081398430332120200520144314.01-136-72163-01-283-46277-X97866134627700-203-81636-61-136-72164-910.4324/9780203816363 (CKB)2670000000161231(EBL)958707(OCoLC)798530587(SSID)ssj0000644930(PQKBManifestationID)11429215(PQKBTitleCode)TC0000644930(PQKBWorkID)10680020(PQKB)11052134(MiAaPQ)EBC958707(Au-PeEL)EBL958707(CaPaEBR)ebr10534923(CaONFJC)MIL346277(OCoLC)782919458(EXLCZ)99267000000016123120110225d2012 uy 0engur|n|---|||||txtccrBeing a director a life in theatre /Di Trevis1st ed.Abingdon, Oxon ;New York Routledge20121 online resource (201 p.)Includes index.0-415-60924-0 0-415-60922-4 BEING A DIRECTOR; Copyright; Contents; List of plates; Foreword by Ronald Harwood; Acknowledgements; Introduction; Part 1 Directing: the parameters; 1 Space; 2 Time; 3 Motion; Part 2 Directing: the specifics; 4 Deciding to be a director; 5 Choosing the play; 6 Reading the play; 7 Casting the play; 8 Rehearsing the actors; 9 Forging a directing language; 10 Fluid staging; 11 Specialist skills; 12 Final work in the rehearsal room; 13 Technical rehearsals; 14 The final ingredient: the audience; Part 3 Directing: the kwoth; 15 A figure in the distance; 16 My salvation17 I became a director one weekend18 The plays and poetry of a german and a Spaniard; 19 Things French; Notes; IndexDi Trevis is a world-renowned director, whose work with Britain's National Theatre, Royal Shakespeare Company, and directing productions worldwide, has deeply informed her knowledge of the director's craft.In Being a Director, she draws on a wealth of first-hand experience to present an immersive, engaging and vital insight into the role of a director.The book elegantly blends the personal and the pedagogical, illustrating how the parameters of Time, Space and Motion are essential when creating a successful production.Throughout, the author exploresTheatrical producers and directorsGreat BritainBiographyTheatrical producers and directors792.092BTrevis Di1665145MiAaPQMiAaPQMiAaPQBOOK9910813984303321Being a director4023603UNINA