03628nam 2200601Ia 450 991081389070332120230216180433.01-283-42289-197866134228970-19-977321-1(CKB)2560000000296618(EBL)3054477(OCoLC)794925477(SSID)ssj0000595939(PQKBManifestationID)11387523(PQKBTitleCode)TC0000595939(PQKBWorkID)10556026(PQKB)11065470(StDuBDS)EDZ0000062047(MiAaPQ)EBC3054477(EXLCZ)99256000000029661820110225d2011 uy 0engur|n|---|||||txtccrAudacious euphony[electronic resource] chromaticism and the consonant triad's second nature /Richard CohnNew York ;Oxford Oxford University Press20121 online resource (256 p.)Oxford studies in music theoryDescription based upon print version of record.0-19-977269-X 0-19-993223-9 Includes bibliographical references and index.Cover; Contents; Introduction; About the Companion Web Site; 1 Mapping the Triadic Universe; Three Ways to Calculate Triadic Distance; Triads in Chromatic Space; Remarks on Syntax and Maps; 2 Hexatonic Cycles; A Minimal-Work Model of the Triadic Universe; The Hexatonic Trance; Contrary Motion and Balance; Hexatonic Progressions, Tonnetz Representations, and Triadic Transformations; Near Evenness, Minimal Voice Leading, and the Central Role of Augmented Triads ; Remarks on Dualism; Triadic Structure Generates Pan-Triadic Syntax; Triads Are Homophonous Diamorphs; 3 ReciprocityThe Historical Emergence of Augmented TriadsConsonance/Dissonance Reciprocity; Two Early-Century Examples: Beethoven and Schubert; Three Late-Century Examples: Liszt, Rimsky-Korsakov, Fauré; Reciprocity in Weitzmann's Der Ubermässige Dreiklang; 4 Weitzmann Regions; The Structure of a Weitzmann Region; Weitzmann Transformations and N/R Cycles; Remarks on the Tonnetz; Historical Origins of Weitzmann Regions; The Double-Agent Complex; Expanded N/R Chains; Weitzmann Regions without Sequences: Wagner and Strauss; 5 A Unified Model of Triadic Voice-Leading Space8 Syntactic Interaction and the Convertible TonnetzSome Previous Proposals; The Diatonic Tonnetz; Horizontal Extensions; Vertical Extensions; The Convertible Tonnetz; Two Analytical Vignettes: Wagner and Brahms; 9 Double Syntax and the Soft Revolution; A Summary Example from Schubert; Double Syntax and Its Skeptics; Code Switching and Double Determination; Cognitive Opacity; The Soft Revolution; On Musical Overdetermination; Glossary; A; B; C; D; G; H; I; L; N; O; P; R; S; T; U; V; W; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; ZReconstructing historical conceptions of harmonic distance 'Audacious Euphony' advances a geometric model appropriate to understanding triadic progressions characteristic of 19th-century music.Oxford studies in music theory.HarmonyTriads (Music)Harmony.Triads (Music)781.2/5Cohn Richard Lawrence1955-55620MiAaPQMiAaPQMiAaPQBOOK9910813890703321Audacious euphony4055127UNINA