02954nam 22007094a 450 991081388670332120240416063900.00-19-028817-597866105324380-19-534377-81-280-53243-21-4337-0009-31-4237-6306-80-19-515196-8(PPN)277020298(CKB)2560000000296448(SSID)ssj0000086999(PQKBManifestationID)11110888(PQKBTitleCode)TC0000086999(PQKBWorkID)10051166(PQKB)10690795(StDuBDS)EDZ0000073216(Au-PeEL)EBL3052256(CaPaEBR)ebr10211922(CaONFJC)MIL53243(OCoLC)65196921(Au-PeEL)EBL279742(Au-PeEL)EBL7033983(MiAaPQ)EBC3052256(EXLCZ)99256000000029644820020221d2003 uy 0engur|||||||||||txtccrFrom the erotic to the demonic on critical musicology /Derek B. Scott1st ed.Oxford ;New York Oxford University Press20031 online resource (258 p.) illBibliographic Level Mode of Issuance: Monograph0-19-515195-X 0-19-987039-X Includes bibliographical references and index.Intro -- CONTENTS -- INTRODUCTION -- PART ONE: SEXUALITY, GENDER, AND MUSICAL STYLE -- 1 Erotic Representation from Monteverdi to Mae West -- 2 The Sexual Politics of Victorian Musical Aesthetics -- PART TWO: IDEOLOGY AND THE POPULAR -- 3 The Native American in Popular Music -- 4 Incongruity and Predictability in British Dance Band Music of the 1920s and 1930s -- PART THREE: THE SACRED AND THE PROFANE -- 5 Lux in Tenebris: Bruckner and the Dialectic of Darkness and Light -- 6 Diabolus in Musica: Liszt and the Demonic -- PART FOUR: IDEOLOGY AND CULTURAL OTHERNESS -- 7 Orientalism and Musical Style -- 8 The Impact of African-American Music Making on the European Classical Tradition in the 1920s -- Notes -- Index.This text should prove useful as a model for musicologists who want to take a postmodern approach to their inquiries. It demonstrates how different musical styles construct ideas of class, sexuality, and ethnic identity.MusicSocial aspectsMusicPhilosophy and aestheticsStyle, MusicalMusicSocial aspects.MusicPhilosophy and aesthetics.Style, Musical.780780.9Scott Derek B1185326MiAaPQMiAaPQMiAaPQBOOK9910813886703321From the erotic to the demonic4044189UNINA