02749nam 2200637 450 991081366600332120230803204001.00-8047-9228-310.1515/9780804792288(CKB)3710000000214100(SSID)ssj0001291416(PQKBManifestationID)11837148(PQKBTitleCode)TC0001291416(PQKBWorkID)11246728(PQKB)11734382(StDuBDS)EDZ0000986025(MiAaPQ)EBC1770083(DE-B1597)563645(DE-B1597)9780804792288(Au-PeEL)EBL1770083(CaPaEBR)ebr10904655(OCoLC)923709228(OCoLC)1198929947(EXLCZ)99371000000021410020140815h20142014 uy 0engur|||||||||||txtccrPoetic force poetry after Kant /Kevin McLaughlinStanford, California :Stanford University Press,2014.©20141 online resourceMeridian. Crossing AestheticsBibliographic Level Mode of Issuance: Monograph0-8047-9100-7 Includes bibliographical references and index.Front matter --Contents --Preface: Poetic Force --Acknowledgments --Translations and Abbreviations --§1. Ur-ability --§2. Hölderlin’s Peace --§3. Poetic Reason of State --§4. Arnold’s Resignation --Epilogue --Notes --Bibliography --IndexThis book argues that the theory of force elaborated in Immanuel Kant's aesthetics is of decisive importance to poetry in the 19th century and to the connection between poetry and philosophy over the last two centuries. Inspired by his deep engagement with the critical theory of Walter Benjamin, who especially developed this Kantian strain of thinking, Kevin McLaughlin uses this theory of force to illuminate the work of three of the most influential 19th century writers in their respective national traditions: Friedrich Hölderlin, Charles Baudelaire, and Matthew Arnold.Meridian (Stanford, Calif.)Poetry, Modern19th centuryHistory and criticismAesthetics, Modern20th centuryPhilosophy, Modern20th centuryPoetry, ModernHistory and criticism.Aesthetics, ModernPhilosophy, Modern808.1McLaughlin Kevin1959-1606828MiAaPQMiAaPQMiAaPQBOOK9910813666003321Poetic force3932792UNINA