02850nam 2200721 a 450 991081355850332120240516115224.01-280-49363-197866135888691-78023-002-8(CKB)2550000000084050(EBL)850991(OCoLC)775302637(SSID)ssj0000635477(PQKBManifestationID)12238766(PQKBTitleCode)TC0000635477(PQKBWorkID)10652269(PQKB)10527548(MiAaPQ)EBC850991(Au-PeEL)EBL850991(CaPaEBR)ebr10538354(CaONFJC)MIL358886(EXLCZ)99255000000008405020120402d2011 uy 0engur|n|---|||||txtccrFraming Russian art from early icons to Malevich /Oleg Tarasov ; translated by Robin Milner-Gulland and Antony Wood ; with an editorial preface by Robin Milner-Gulland1st ed.London Reaktion Books20111 online resource (418 p.)"This book was first published in 2007 by Progress-Traditsiya as Rama i obraz : Ritorika obramleniya v russkom iskusstve."1-86189-762-6 Includes bibliographical references and index.pt. 1. Frame and image -- pt. 2. Playing with space.The notion of the frame in art can refer not only to a material frame bordering an image, but also to a conceptual frame. Both meanings are essential to how the work is perceived. In Framing Russian Art, art historian Oleg Tarasov investigates the role of the frame in its literal function of demarcating a work of art and in its conceptual function affectingthe understanding of what is seen. The first part of the book is dedicated to the framework of the Russian icon. Here, Tarasov explores the historical and cultural meanings of the icon's,setting, and oPicture frames and framingPicture frames and framingHistoryPicture perceptionArt appreciationIconsRussia (Federation)Art, RussianArt, EuropeanPicture frames and framing.Picture frames and framingHistory.Picture perception.Art appreciation.IconsArt, Russian.Art, European.701.1Tarasov Oleg1088817Milner-Gulland R. R1677719Wood Antony1677720MiAaPQMiAaPQMiAaPQBOOK9910813558503321Framing Russian art4044818UNINA