02423nam 2200529 450 991081349410332120230808192100.01-4766-2290-6(CKB)3710000000614900(EBL)4451999(OCoLC)944526112(SSID)ssj0001628481(PQKBManifestationID)16370892(PQKBTitleCode)TC0001628481(PQKBWorkID)14848684(PQKB)11150795(MiAaPQ)EBC4451999(EXLCZ)99371000000061490020151130h20162016 uy| 0engur|n|---|||||txtccrThe Jan & Dean record a chronology of studio sessions, live performances and chart positions /Mark A. Moore ; foreword by Brian WilsonJefferson, North Carolina :McFarland & Company, Incorporated, Publishers,[2016]©20161 online resource (463 p.)Description based upon print version of record.0-7864-9812-9 Includes bibliographical references and index.1958 : Barons and bomps -- 1959 : Pratfalls and pandemonium -- 1960 : Skinny legs and ugly kneecaps -- 1961 : Heart and soul -- 1962 : Still talking baby talk -- 1963 : Surf, rods and honeys -- 1964 : Crashes, skateboards and one last ride with granny -- 1965 : Easy come, easy go -- 1966 : Beginning from an end -- 1967 : Rainy days in a carnival of sound -- 1968 : Blowing my mind -- 1969 : Hitch a ride to Hollywood."Jan and Dean were successful songwriters of the late 1950s through the mid-1960s. This book chronicles Jan's career as a songwriter and arranger with day-by-day entries detailing recording sessions, single and album releases, concerts and appearances, film and television projects, behind-the-scenes business and legal matters, chart positions and more"--Provided by publisher.Rock musicUnited StatesChronologyRock musiciansUnited StatesRock musicRock musicians782.42166092/2Moore Mark A.1966-1664854Wilson Brian1942-MiAaPQMiAaPQMiAaPQBOOK9910813494103321The Jan & Dean record4023151UNINA04902oam 22005534a 450 991031523060332120230621141125.09781950192083(ePDF)9781950192076(print)10.21983/P3.0240.1.00(CKB)4100000007823995(OAPEN)1004705(OCoLC)1100489499(MdBmJHUP)muse77055(oapen)https://directory.doabooks.org/handle/20.500.12854/29943(oapen)doab29943(EXLCZ)99410000000782399520181231d2019 uy 0engurmu#---auuuutxtrdacontentcrdamediacrrdacarrierVital Reenchantments: Biophilia, Gaia, Cosmos, and the Affectively EcologicalLauren Greyson1st edition.Brooklyn, NYpunctum books2019Santa Barbara, CA :Punctum Books,2019.©2019.1 online resource (276 pages) illustrations; PDF, digital file(s)Print version: 9781950192076 Includes bibliographical references.Not all charms fly at the touch of cold philosophy. Vital Reenchantments examines so-called cold philosophy, or science, that does precisely the opposite — rather than mercilessly emptying out and unweaving, it operates as a philosophy that animates. More specifically, Greyson closely examines how a specific group of “poet-in-scientists” of the late 1970s and 1980s directed attention to the “wondrous” unfolding of life, at a time when the counter-culture in particular had made the institution of science synonymous with technologies of alienation and destruction. In this vein, Vital Reenchantments takes up E.O. Wilson’s Biophilia (1984), James Lovelock’s Gaia (1979), and Carl Sagan’s Cosmos (1980), in order to show how each work fleshes out scientific concepts with a unique attention to “affective wonder,” understood as the experience of and attunement to novel effects. What is so unique about these works is that they reenchant the scientific world without pandering to what Richard Dawkins will later term “cosmic sentimentality.” Carl Sagan may have said “We are made of starstuff,” but he would never insist, as Joni Mitchell did in 1969, that “we’ve got to get ourselves back to the garden.” Instead, they insist on a third way that does not rely on the idea of an ecological Eden — a vigorously vital materialism in which the affective trumps the sentimental. Further, the historical emergence of these works, all published within 5 years of each other, was no accident: each book responded to an ever deepening sense of environmental crisis, certainly, but along with it they responded to, perhaps more than marginally related, narratives of the large-scale disenchantment brought on by modernity or science, and more often than not a mixture of the two. Greyson argues that the persistence of these works and their affectively-charged scientific concepts in contemporary popular culture and ecological thought is no accident. As such, these works deserve recognition as far more than “popular science” and can be seen as essential contributions to more contemporary vital materialist thought and ecological theory. No doubt this talk of enchantment and wonder, so tied to immediate experience, can seem trivial in the face of any number of environmental crises (global warming first among these) that do not just appear ominously on the horizon, but loom as never before. The first task of this book thus to pose the same question that Jane Bennett does at the end of her own work on enchantment: “How can someone write a book about enchantment in such a world?” Does this approach really provide, as Latour phrases it, “a way to bridge the distance between the scale of the phenomena we hear about and the tiny Umwelt inside which we witness, as if it were a fish inside its bowl, an ocean of catastrophes that are supposed to unfold”? Ultimately, Vital Reenchantments argues that affective ecologies, properly attended to, point toward an open present, one that broadens the horizons of the “fish bowl” and allows us to imagine engendering futures that are neither naively hopeful nor hopelessly apocalyptic.Philosophy of sciencebicsscElectronic books. ecologyaffect studiesscience studiesphilosophy of scienceenvironmental humanitiesecophilosophyplanetary geologyPhilosophy of science577.01Greyson Lauren884821MdBmJHUPMdBmJHUP9910315230603321Vital reenchantments1975771UNINA