04278nam 22005532 450 991081307270332120210226110703.090-485-2727-910.1515/9789048527274(CKB)3710000000539490(EBL)4391580(MiAaPQ)EBC4391580(DE-B1597)502525(OCoLC)932500553(DE-B1597)9789048527274(UkCbUP)CR9789048527274(Au-PeEL)EBL4391580(CaPaEBR)ebr11153789(CaONFJC)MIL882488(OCoLC)1281768037(MdBmJHUP)musev2_66364(EXLCZ)99371000000053949020201120d2015|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierA reader on international media piracy pirate essays /edited by Tilman Baumgärtel[electronic resource]Amsterdam :Amsterdam University Press,2015.1 online resource (252 pages) digital, PDF file(s)MediaMattersTitle from publisher's bibliographic system (viewed on 22 Feb 2021).90-8964-868-2 Includes bibliographical references and index.Front matter --Table of Contents --Acknowledgements --1. Media Piracy. An Introduction --Case Studies --2. Evasionary Publics. Materiality and Piracy in Rio de Janeiro, Brazil /Reinberg, Yonatan --3. Piracy on the Ground. How Informal Media Distribution and Access Influences the Film Experience in Contemporary Hanoi, Vietnam /Tran, Tony --4. Honorability and the Pirate Ethic /Schwarz, Jonas Andersson --5. Modchips. How Hardware Hacking Constitutes Grey Markets, User Participation, and Innovation /Schaefer, Mirko Tobias --Toward a Theroy of Media Piracy --6. On the Political Economy of Copy Protection /Meretz, Stefan --7. Paradoxes of Property. Piracy and Sharing in Information Capitalism /Marshall, Jonathan Paul / da Rimini, Francesca --8. Reproducibility, Copy, Simulation. Key Concepts of Media Theory and Their Limits /Schröter, Jens --The Aesthetics of Piracy --9. Degraded Images, Distorted Sounds. Nigerian Video and the Infrastructure of Piracy /Larkin, Brian --10. Slashings and Subtitles. Romanian Media Piracy, Censorship, and Translation /Dwyer, Tessa / Uricaru, Ioana --Conclusion --11. The Triumph of the Pirates. Books, Letters, Movies, and Vegan Candy - Not a Conclusion /Baumgärtel, Tilman --Contributors --IndexPiracy is among the most prevalent and vexing issues of the digital age. In just the past decade, it has altered the music industry beyond recognition, changed the way people watch television, and made a dent in the buisness of the film and software industries. From MP3 files to recipes from French celebrity chefs to the jokes of American stand-up comedians, piracy is ubiquitous. And now piracy can even be an arbiter of taste, as seen in the decision by Netflix Netherlands to license heavily pirated shows. In this unflinching analysis of piracy on the Internet and in the markets of the Global South, Tilman Baumgärtel brings together a collection of essays examining the economic, political, and cultural consequences of piracy. The contributors explore a wide array of topics, which include materiality and piracy in Rio de Janeiro; informal media distribution and the film experience in Hanoi, Vietnam; the infrastructure of piracy in Nigeria; the political economy of copy protection; and much more. Offering a theoretical background for future studies of piracy, A Reader in International Media Piracy is an important collection on the burning issue of the Internet Age.MediaMatters.Mass mediaEconomic aspectsMedia Piracy, Globalization, Audience Studies, Transnational Media, Global South.Mass mediaEconomic aspects.338.4/730223Baumgärtel Tilman1966-UkCbUPUkCbUPBOOK9910813072703321A reader on international media piracy4070552UNINA