05459nam 2200733Ia 450 991081295050332120200520144314.01-134-92809-21-134-92810-61-138-15363-X0-203-35933-X1-280-05393-310.4324/9780203359334 (CKB)1000000000443957(EBL)179227(OCoLC)437081971(SSID)ssj0000284788(PQKBManifestationID)11912598(PQKBTitleCode)TC0000284788(PQKBWorkID)10261632(PQKB)11495148(MiAaPQ)EBC179227(Au-PeEL)EBL179227(CaPaEBR)ebr10097519(CaONFJC)MIL5393(OCoLC)826516671(EXLCZ)99100000000044395719910409d1992 uy 0engurcn|||||||||txtccrTheatre at the crossroads of culture /Patrice Pavis ; translated by Loren Kruger1st ed.London ;New York Routledge19921 online resource (219 p.)Translation of: Theatre au croisement des cultures.0-415-06038-9 0-203-37609-9 Includes bibliographical references and index.BOOK COVER; HALF-TITLE; TITLE; COPYRIGHT; CONTENTS; PREFACE; 1 TOWARD A THEORY OF CULTURE AND MISE EN SCÈNE; A SATURATED THEORY; AN HOURGLASS READY FOR EVERYTHING; CAVITY, CRUCIBLE, CROSSING, CROSSROADS; CULTURE AND ITS DOUBLES; Culturalist premises; Definition 1; Definition 2; Definition 3; Definition 4; Definition 5; Sociohistorical premises ; NOTES; BIBLIOGRAPHY; 2 FROM PAGE TO STAGE: A DIFFICULT BIRTH ; PRELIMINARY REMARKS; DENIALS; MISE EN SCÈNE AS A MEANS OF MODULATING THE RELATIONSHIP BETWEEN TEXT AND PERFORMANCE; Stage enunciation and the concretization circuitVerbal and non-verbal: Reading actualizedChange in perspective; Metatext or discourse of the mise en scène; Mise en scène as discourse on emptiness and ambiguity: Imaginary solution and parodic discourse; A TYPOLOGY OF MISES EN SCÈNE? ; (PROVISIONAL) CONCLUSIONS ; MARGINS; Margin 1; Margin 2; Margin 3; Margin 4; Margin 5; Margin 6; Margin 7; Margin 8; Margin 9; Margin 10; Margin 11; NOTE; BIBLIOGRAPHY; 3 THE CLASSICAL HERITAGE OF MODERN DRAMA: THE CASE OF POSTMODERN THEATRE; CLASSICAL WORK OR MODERN TEXT?; The Work and the Text; The impossible unitary spaceNew relationship to the classical work Infusing, decentering, undoing the rhythm; INHERITANCE OR MEMORY; Bourgeois or socialist heritage; Tradition and traditions; The heritage of postmodern theatre; MODERN OR POSTMODERN THEATRE; The postmodernization of works; Some tendencies in postmodern theatre; NOTES; BIBLIOGRAPHY; 4 ON THEORY AS ONE OF THE FINE ARTS AND ITS LIMITED INFLUENCE ON CONTEMPORARY DRAMA WHETHER MAJORITY OR MINORITY...; THEORY AND MINORITY; Meaning of 'theory'; Meaning of 'minority'; Theory: minoritarian or minor art?; New majorities in contemporary theatre theoryTHEORY AS ONE OF THE FINE ARTS The pleasures of theory; The place of theory; Crisis of semiotics; Theory overflowing into practice; LIMITED BUT PERCEPTIBLE INFLUENCE; Influence on majority dramaturgy; Commercial majority; Ideological majority; National majority in the mise en scène of classics; Influence on minority dramaturgy; Minority of the avant-garde; Cultural minority; APPENDIX; NOTES; BIBLIOGRAPHY; 5 THEATRE AND THE MEDIA; SPECIFICITY AND INTERFERENCE; THEATRE WITHIN A THEORY OF MEDIA; Mediatization of theatre; Media in relation to theatre; Quantification and massificationTheatre, media and the spectacular The double game of the media and theatre; DRAMATURGY AND SPECIFICITY OF THE MEDIA; The damaturgy of radio; The dramaturgy of television; The dramaturgy of video; Specificity of radio; Specificity of television; Specificity of video; Fictional status of the media; INTERFERENCES BETWEEN MEDIA ; Theatre == Radio ; Theatre - - Radio ; Radio == Theatre ; Radio - - Theatre ; Radio == Cinema ; Radio - - Cinema ; Cinema ==; Radio ; Cinema - - Radio ; Cinema == Video ; Cinema - - Video ; Video == Cinema ; Video - - CinemaVideo == Television/Video - -TelevisionWestern culture has a long and fraught history of cultural appropriation, a history that has particular resonance within performance practice. Patrice Pavis asks what is at stake politically and aesthetically when cultures meet at the crossroads of theatre.? A series of major recent productions are analysed, including Peter Brook's Mahabharata, Cixous/Mnouchkine's Indiande, and Barba's Faust. These focus discussions on translation, appropriation, adaptation, cultural misunderstanding, and theatrical exploration. Never losing sight of the theatrical experience, PaDramaIntercultural communicationTheater and societyDrama.Intercultural communication.Theater and society.306.4/84306.484Pavis Patrice1947-223325MiAaPQMiAaPQMiAaPQBOOK9910812950503321Theatre at the crossroads of culture1332424UNINA