02760nam 2200577 450 991081294430332120200520144314.00-8108-8440-2(CKB)3710000000186034(EBL)1734040(SSID)ssj0001262233(PQKBManifestationID)11732606(PQKBTitleCode)TC0001262233(PQKBWorkID)11211756(PQKB)11500105(MiAaPQ)EBC1734040(Au-PeEL)EBL1734040(CaPaEBR)ebr10891894(CaONFJC)MIL627527(OCoLC)884014448(EXLCZ)99371000000018603420140723h20142014 uy 0engur|n|---|||||txtccrNeoclassical music in America voices of clarity and restraint /R. James TobinLanham, Maryland ;Plymouth, England :Rowman & Littlefield,2014.©20141 online resource (301 p.)Modern Traditionalist Classical MusicDescription based upon print version of record.0-8108-8439-9 Includes bibliographical references and index.Contents; Preface; 1 Introduction; 2 European Influences on American Neoclassicism; 3 Edward Burlingame Hill-A Link to Paris; 4 Walter Piston-Spanning Two Generations; 5 Harold Shapero; 6 Irving Fine; 7 Arthur Berger; 8 Lukas Foss-Early Career; 9 Alexei Haieff; 10 Ingolf Dahl; 11 Louise Talma; 12 John Lessard; 13 Nikolai Lopatnikoff; 14 Aaron Rabushka; 15 Conclusion; Notes; Bibliography; Selected Discography; Index; About the AuthorIn Neoclassical Music in America: Voices of Clarity and Restrain, music reviewer and scholar, R. James Tobin explores the origins and fate of neoclassicism, arguing how efforts to define musical neoclassicism as a style largely fail because of the stylistic diversity of the music that fall within its scope. Tobin surveys the careers of various figures, drawing especially on early reviews of performances before offering his own critical assessment of individual works. His examination includes such European influencers, as Igor SModern Traditionalist Classical MusicMusicUnited States20th centuryHistory and criticismNeoclassicism (Music)United StatesMusicHistory and criticism.Neoclassicism (Music)780.973/0904Tobin R. James1937-1620051MiAaPQMiAaPQMiAaPQBOOK9910812944303321Neoclassical music in America3952625UNINA