02551nam 22005773u 450 991081293350332120230607220926.00-8166-9280-7(CKB)1000000000346852(EBL)310582(OCoLC)476095172(SSID)ssj0000258409(PQKBManifestationID)11939501(PQKBTitleCode)TC0000258409(PQKBWorkID)10255220(PQKB)11039592(MiAaPQ)EBC310582(EXLCZ)99100000000034685220130418d2002|||| u|| |engur|n|---|||||txtccrThere's No Place Like Home Video[electronic resource]Minneapolis University of Minnesota Press20021 online resource (252 p.)Visible EvidenceDescription based upon print version of record.0-8166-3800-4 Contents; Acknowledgments; Introduction: Medium Theory, Home Video, and Other Specifications; 1 What Is Video? Mapping Out Models of Medium Specificity; 2 From Reel Families to Families We Choose: Video in the Home Mode; 3 Modes of Distinction: The Home Mode, the Avant-Garde, and Event Videography; 4 Family Resemblances: The Home Mode as Chronotope; 5 The Video-in-the-Text: A Phenomenology and Narratology of Hybrid Spectatorship; Notes; IndexIn There's No Place Like Home Video, James Moran offers a history of amateur home video, exploring its technological and ideological predecessors, the development of event videography, and home video's symbiotic relationship with television and film. He also investigates the broader field of video, taking on the question of medium specificity: the attempt to define its unique identity, to capture what constitutes its pure practice.Visible EvidenceVideo recordingsVideo recordingsHistory and criticismAmateur filmsProduction and directionVideo recordingsVideo recordings.Video recordingsHistory and criticismAmateur filmsProduction and directionVideo recordings384.55/8384.558Moran James M822951AU-PeELAU-PeELAU-PeELBOOK9910812933503321There's No Place Like Home Video4127794UNINA