03339nam 2200697 450 991081283130332120230126212722.00-8047-9521-510.1515/9780804795210(CKB)3710000000374965(EBL)1991236(SSID)ssj0001440847(PQKBManifestationID)12477207(PQKBTitleCode)TC0001440847(PQKBWorkID)11392066(PQKB)11039472(StDuBDS)EDZ0001041508(MiAaPQ)EBC1991236(DE-B1597)564662(DE-B1597)9780804795210(Au-PeEL)EBL1991236(CaPaEBR)ebr11033056(OCoLC)905221836(OCoLC)1198929821(EXLCZ)99371000000037496520150328h20152015 uy 0engur|n|---|||||txtccrPesos and politics business, elites, foreigners, and government in Mexico, 1854-1940 /Mark WassermanStanford, California :Stanford University Press,2015.©20151 online resource (270 p.)Description based upon print version of record.0-8047-9154-6 Includes bibliographical references and index.Frontmatter -- Contents -- Tables -- Acknowledgments -- One. Elites, foreigners, and government in Mexico, 1877–1940 -- Two. Mexican entrepreneurs -- Three. Mexico versus the seven kings: the railroad consolidation, 1902–1910 -- Four. Foreign landowners -- Five. The corralitos company -- Six. Foreign mining entrepreneurs -- Seven. The American smelting and refining company in mexico, 1890–1940 -- Eight. Conclusion -- Notes -- Bibliography -- Index The relationship between business and politics is crucial to understanding Mexican history, and Pesos and Politics explores this relationship from the mid-nineteenth century dictatorship of Porfirio Diaz through the Mexican Revolution (1876-1940). Historian Mark Wasserman argues that throughout this era, over the course of successive regimes, there was an evolving enterprise system that had to balance the interests of the Mexican national elite, state and local governments, large foreign corporations, and individual foreign entrepreneurs. During and after the Revolution these groups were joineIndustrial policyMexicoHistoryBusinesspeopleMexicoHistoryElite (Social sciences)MexicoHistoryInvestments, ForeignMexicoHistoryBusiness enterprises, ForeignMexicoHistoryMexicoPolitics and government1867-1910MexicoPolitics and government1910-1946Industrial policyHistory.BusinesspeopleHistory.Elite (Social sciences)History.Investments, ForeignHistory.Business enterprises, ForeignHistory.322/.3097209034Wasserman Mark1946-1254366MiAaPQMiAaPQMiAaPQBOOK9910812831303321Pesos and politics4081908UNINA03021nam 22004935 450 991048327810332120250610110147.09783030479251303047925010.1007/978-3-030-47925-1(CKB)5590000000005351(MiAaPQ)EBC6382126(DE-He213)978-3-030-47925-1(Perlego)3481753(MiAaPQ)EBC29090751(EXLCZ)99559000000000535120201030d2020 u| 0engurnn|008mamaatxtrdacontentcrdamediacrrdacarrierCollaborative Praxis and Contemporary Art Experiments in the MENASA Region /by Atteqa Ali1st ed. 2020.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2020.1 online resource (XV, 226 p. 60 illus., 58 illus. in color.) 9783030479244 3030479242 Introduction -- Chapter One: Charting Sociopolitical art in the Middle East, North Africa, and South Asia -- Chapter Two: Getting to Know You: "Relational Aesthetics" -- Chapter Three: Sharing Stories over Tea: Institutional Frameworks and the Rise of Collaborative Art Praxes in the Middle East, North Africa, and South Asia -- Chapter Four: What is it good for: War, Social Engagement, and Contemporary Art Experiments -- Chapter Five: Transformations in the Margins: Blight and the Arts in the Ghetto -- Conclusion: contemporary art and its impact on societies in the MENASA region.This book examines the ways in which artists and arts organizations today forge collaborative, socially engaged situations that involve non-professionals in the process of making art, often over a period of time, through creating opportunities to examine collective concerns and needs. Collaborative art praxis is gaining prominence in the Middle East, North Africa, and South Asia (MENASA) region. This is a discursive method that is experimental, with results that often expand the notions of what art is­-and how it can be produced. After an introduction to global approaches to such a practice, Ali examines the foundation of contemporary art in the MENASA that is linked to a longer history of colonialism. The book analyzes artist-led initiatives and community-based organizations through themes including relational aesthetics, war and violence, blight in marginalized places around the world, in addition to questions associated with art and its value in the fields of global contemporaryart and society.ArtsArtsArts.Arts.700.108709.53Ali Atteqa1226351MiAaPQMiAaPQMiAaPQBOOK9910483278103321Collaborative praxis and contemporary art experiments in the MENASA region2847506UNINA